Ghent based psych jazz collective Compro Oro, are set to release new album ‘Buy The Dip’ on the 2nd September via the groove-obsessed Sdban Ultra label. Having received critical acclaim for their 2020 album ‘Simurg’ – a collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel – the band’s fifth album is less ethno- and more techno-logy, both on a musical and conceptual level. With tastemaker fans including BBC 6 Music’s Gilles Peterson and Stuart Maconie alongside Jazz FM’s Jez Nelson, the band’s spontaneous quest for psychedelic sounds and jazz grooves has not stopped expanding since their formation in 2014.
Ghent based psych jazz collective Compro Oro, are set to release new album ‘Buy The Dip’ on the 2nd September via the groove-obsessed Sdban Ultra label. Having received critical acclaim for their 2020 album ‘Simurg’ – a collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel – the band’s fifth album is less ethno- and more techno-logy, both on a musical and conceptual level. With tastemaker fans including BBC 6 Music’s Gilles Peterson and Stuart Maconie alongside Jazz FM’s Jez Nelson, the band’s spontaneous quest for psychedelic sounds and jazz grooves has not stopped expanding since their formation in 2014.
Glen Campbell not only had an enormous number of hit singles, he was also a staple of pop culture, appearing in films and hosting a TV show during the late '60s and early '70s. Before that, he was a respected studio musician and performer in search of a hit in the early '60s, cutting great singles that nobody heard. All this makes his career difficult to compile, even on a double-disc set with 40 songs, so it shouldn't be a huge surprise that Razor & Tie's 1997 compilation The Glen Campbell Collection (1962-1989), for all its attributes, is heavily flawed. Its biggest problem is its scope; by extending its reach to the end of the '80s, when Campbell was still having hits out of sheer inertia and was far past his peak, the listenability of the second disc nosedives about halfway through.
An amazing run of music – some of our favorite albums ever recorded for the Blue Note label, and the legendary second chapter of the career of tenor genius Hank Mobley! Hank was already a hell of a tenor player when he came on the scene in the 50s – graced with this deeply soulful style that helped usher in a whole new generation of talents on the instrument – but during his final years at Blue Note, he really took off with amazing new ideas, unusual rhythms, mindblowing arrangements, and the kind of compositional skill she never showed at the start!