Only "What Makes a Man Turn His Back on God?," which features Bessie Griffin, has been previously released. But any number of those 23 sides could have been issued with success (only "Dinner, Mr. Rupe?," a half-minute of studio byplay, wouldn't). The earlier, slightly longer take of "Too Close to Heaven" is especially interesting to compare to the hit; too sweet how Bradford whittled almost 30 seconds out of a performance already in fine fighting trim. Superb annotation by gospel historian Anthony Heilbut offers an insightful history of Bradford and his sound and also gets down to cases about various tracks.
Sky were an English/Australian instrumental rock group that specialised in combining a variety of musical styles, most prominently rock, classical and jazz. The group's original and best-known line-up featured classical guitarist John Williams, bass player Herbie Flowers, electric guitarist Kevin Peek, drummer Tristan Fry and keyboard player Francis Monkman. In September 1984, Sky began recording their seventh album, The Great Balloon Race, in Kevin Peek's Tracks Studio in Western Australia. During the mixing stage, the band learnt that they had been dropped by Ariola Records. The album was eventually released on Epic Records (coincidentally, also the label releasing John Williams' albums) in April 1985. The Great Balloon Race was the first Sky album to feature entirely original material without any classical content, although two pieces ("Allegro" and "Caldando") were strongly classically inspired.
The second time around proved to be more effective for Sky. This double album is an ambitious but uneven effort. Kevin Peek displays a nice feel on the electric guitar and adds some needed spice to tunes such as "Hotta" and "Scherzo." The legendary John Williams proves once again that he has no intention of opening up his style, opting instead to play traditionally on the electric guitar…
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967.
With liner notes by Muddy Waters, a cover of Water's tune "Plain Spoken," and two titles written by Luther "Guitar Jr." Johnson, the trend-conscious Sky Saxon takes his Seeds into a world far removed from punk and garage rock. This may be the only album that doesn't contain a variation of the "Pushin' Too Hard" riff, and that might not be a good thing. Six minutes and four seconds of Sky Saxon's "Cry Wolf" is too long for blues this lightweight. Saxon plays a cool harp, but his Sam the Sham-style vocals are not going to cause Buddy Guy any sleepless nights, nor would George Guy find them amusing…