Slow Sand

Elvis Presley - The Complete Elvis Presley Masters (2010) {30CD Box Set Sony Music, Ltd. Numbered Ed. 88697118262}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 11.4 Gb | MP3 @320 -> 4.79 Gb
Full Artwork @ 300 dpi (jpg) -> 518 Mb | 5% repair rar
© 2010 RCA / Legacy / Sony Music | 88697118262
Rock & Roll / Pop / Rockabilly / Gospel / Folk

This is the definitive collection: all 711 master recordings as released during Elvis’ lifetime, mastered from the original analog master tapes where available. Each recording has been carefully restored to achieve the best sound reproduction ever without compromising the audio quality of the original master. The collection also contains 103 additional rare recordings and a 240-page hardbound book featuring an annotated discography, original album artwork, rare and classic photos, a complete song index and an essay by Peter Guralnick. Housed in a beautiful, limited edition display case, THE COMPLETE ELVIS PRESLEY MASTERS is an indispensable piece of music history and the one collection no true connoisseur should be without.

Excellent addition to any prog rock music collection
I consider this album to be the most sentimental one from Steve Hackett, and it is also among his best ones.

G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software…

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software…

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

’Heroic hymns of battle’ was how the American critic James Huneker visualized Chopin’s polonaises. ‘In them’, Liszt wrote evocatively in his Life of Chopin, ‘are to be found embodied the noblest traditional feelings of the Poland of a bygone age; through them breathe the stern resolve and the reflective gravity of the Poles of other days. Usually of a warlike character, bravery and valour are in these polonaises rendered with a simplicity of expression which was a distinctive characteristic of this warlike people. They bring before the imagination with vivid intensity the ancient Poles as they are described in their chronicles.’