Smith Peter c.

Deluxe three disc (two CDs + DVD) edition of this live release from the Van Der Graaf Generator leader containing the Berlin 1992 concert on two CDs plus a DVD featuring the very same performance…

Rex Smith, younger brother of Starz vocalist Michael Lee Smith, may be better known to his Stateside fans for his roles on stage and screen; playing motorcycle police officer Jesse Mach in the 1985 TV series Street Hawk, as well as guest appearances on The Love Boat, Baywatch, Daredevil and Caroline In The City. He also played Danny Zuko in the 1978 Broadway production of Grease, eventually becoming a household name via the popular daytime drama As The World Turns, whilst also replacing Andy Gibb as presenter on popular US TV music show Solid Gold in 1982.

Rex Smith, younger brother of Starz vocalist Michael Lee Smith, may be better known to his Stateside fans for his roles on stage and screen; playing motorcycle police officer Jesse Mach in the 1985 TV series Street Hawk, as well as guest appearances on The Love Boat, Baywatch, Daredevil and Caroline In The City. He also played Danny Zuko in the 1978 Broadway production of Grease, eventually becoming a household name via the popular daytime drama As The World Turns, whilst also replacing Andy Gibb as presenter on popular US TV music show Solid Gold in 1982.

Rex Smith, younger brother of Starz vocalist Michael Lee Smith, may be better known to his Stateside fans for his roles on stage and screen; playing motorcycle police officer Jesse Mach in the 1985 TV series Street Hawk, as well as guest appearances on The Love Boat, Baywatch, Daredevil and Caroline In The City. He also played Danny Zuko in the 1978 Broadway production of Grease, eventually becoming a household name via the popular daytime drama As The World Turns, whilst also replacing Andy Gibb as presenter on popular US TV music show Solid Gold in 1982.

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

I can remember watching a recording of this production and being somewhat put off by the staging, the light show during the opening prelude and the modern staging and dress. It made the star-struck lovers seem more like a frumpy middle-aged couple on a cruise than people passionately in love, especially in their apparent lack of intimacy. They seldom touched each other. It just did not sit well with me, but that was my personal point of view. Even so, I was quite taken with the sound of the production and by strong performances by all the protagonists.

This discography of musical work by the bassist Peter Kowald, who died in 2002, was compiled in honor of his 70th birthday. Kowald (1944-2002) was a vital figure in German free jazz, playing for many years with the Globe Unity Orchestra, the Schlippenbach Quartet and with Peter Brotzmann, on to periods living in Greece, Japan and in New York. He worked in a vast amount of settings from solo and duo bass recordings to dance and film work. The four CDs here offer a selection of studio and live recordings, including the Grandmothers Teaching session with Chris McGregor, Harry Beckett etc, and two rare albums recorded for small Greek labels: Aphorisms (1997) and The Human Aspect (1990).

This discography of musical work by the bassist Peter Kowald, who died in 2002, was compiled in honor of his 70th birthday. Kowald (1944-2002) was a vital figure in German free jazz, playing for many years with the Globe Unity Orchestra, the Schlippenbach Quartet and with Peter Brotzmann, on to periods living in Greece, Japan and in New York. He worked in a vast amount of settings from solo and duo bass recordings to dance and film work. The four CDs here offer a selection of studio and live recordings, including the Grandmothers Teaching session with Chris McGregor, Harry Beckett etc, and two rare albums recorded for small Greek labels: Aphorisms (1997) and The Human Aspect (1990).