It was only after Michael Jackson’s death that Italian trumpeter Enrico Rava gradually became aware that he had for many years been ignoring, in his words, “one of the great protagonists of 20th century music and dance. A total artist. A perfectionist. A genius. I felt the need to delve more deeply into Michael’s world. There was only one way to do that: play his songs.” Thus this live album, recorded at the Rome Auditorium with the Parco della Musica Jazz Lab. Enrico’s trumpet is at its most extroverted here, vaulting above the spirited arrangements by Mauro Ottolini. Michael Jackson’s protean pop songs have never been heard quite like this. Rava is currently playing European festivals with this programme.
The S.A.D.O. (Società Anonima Decostruzionismi Organici, Anonymous Society of Organic Deconstructionisms) band took shape in 1994 in Italy, from the Arcansiel group (Gianni Opezzo, Paolo Baltaro and Sandro Marinoni), with Diego Marzi on percussion. In the same year, they recorded the songs that would be included in Implosioni, their first album. One year later, in 1995, they recorded Teratoarchetipia, followed by La Differanza in 2002. In the meantime, the group went on tour in Italy and Europe. In 2007, with Boris Savoldelli on vocals, Luigi Ranghino on piano, and Andrea Beccaro on drums joining in, they recorded Holzwege (published by AMS) and carried out a live sound deconstruction in seven movements based on the seven propositions from the "Tractatus Logico Philosophicus" by Ludwig Wittgenstein.
Norwegian smooth jazz composer Tom Hansen has produced a vocal album dedicated to Earth, Wind & Fire, Al Jarreau, Chicago, Michael McDonald and others. This is my 6th work, and it was my first appearance in Japan from [Light Mellow Searches] supervised by me. Contains 19 songs, which is rare these days. You can listen to the finest AOR ~ Blue Eyed Soul ~ Fusion until you're full.
The original Gabin - a French actor known for his portrayals of jaded, faded anti-heroes in 1930s and '40s-era films - might have chuckled ironically if he had been told that, a half-century after his heyday, two Italian musicians would name a fledgling lounge music project after him. But if he had listened to the music, he would have understood. It's full of languid grace and melancholy and is undeniably stylish - exactly what you'd expect to hear in a Parisian café or supper club. Just to add to the effect, many of the song titles and lyrics are in French.
Gabin (2002). Milky, silken rhythms lace through this collaboration between Roman DJ Filippo Clary and jazz bassist Max Battini. Their perspectives find accord in the realm of what martini-addled old-timers might label "acid jazz"…
This album is part of the recordings made on the occasion of the concerts of the first edition of the fonè Music Festival Piaggio 2019. The concerts organized by fonè's Giulio Cesare Ricci were held at the Piaggio Auditorium located inside the famous Museum in Pontedera, the place where Piaggio was born and where it still continues to produce today.