The first performance of Handel’s Ottone took place in London on 12 January 1723 at the King’s Theatre. Handel had finished composing the opera the previous summer, with the first draft completed on 10 August, but he had to make several revisions before the first performance took place…
Harry Nilsson worked at a bank and wrote songs on the side, mostly jingles and pop tunes in the mid-1960s. Under contract with RCA, his first record was a flop, but it yielded hits for The Monkees and Three Dog Night. In the late 1960s Nilsson was everywhere: pal to the Beatles (especially John and Ringo); singer of "Everybody's Talkin'," the theme to the movie Midnight Cowboy (1969); singer of the theme to the TV show The Courtship of Eddie's Father; composer of the soundtrack to the animated movie The Point (with its hit single "Me and My Arrow"); and singer of the number one hit, "Without You." …
It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…
It’s just over 40 years since global music icon Dionne Warwick signed with Arista Records marking a defining fifteen-year chapter in the star-studded career of the Lifetime Achievement and multi-Grammy-winning songstress, celebrated here with this first-of-its-kind box set of her (159) recordings for the label. Included are (29) bonus tracks, with nine of the twelve albums as expanded editions of the original Arista LPs, with remastering by Nick Robbins. The deluxe 64-page booklet (with artwork by Roger Williams) includes detailed essays on each album by SoulMusic.com/SoulMusic Records’ founder David Nathan (who credits Dionne’s mid-60s hits as fuelling his passion for soul music), with quotes from Dionne, Clive Davis and producer Steve Buckingham.
Everyone who followed Son Seals has a special story to tell about the way they discovered him, a certain show they witnessed, or the like. This DVD, A Journey Through the Blues: The Son Seals Story, is certain to bring great memories to all of his fans and will enlighten those who might have overlooked his immense contribution to the blues. I first saw Son Seals perform on a sultry July afternoon in Oswego, NY. I had previously spun his albums on my radio show in college, and was quite pleased when I saw him listed as a side stage act at Phish's 1999 festival. I didn't know much about him other than his signature guitar sound - a tone as unmistakable as those of BB King or Jimi Hendrix - and that startling voice.