Tout Jean-Louis Murat est là, dans ce disque qui a marqué la fin d'une longue traversée du désert (ou dans son cas des volcans d'Auvergne). Après trois albums rapidement tombés dans l'oubli et un semi-succès avec le single "Suicidez- vous, le peuple est mort", Murat a disparu pendant plusieurs années pour peaufiner un grand retour. Et c'est bien de ça qu'il s'agit : un classique, l'inauguration d'un nouveau style, celui d'un chanteur de charme, à la voix chaude, qui a assimilé l'exigence littéraire de Manset, les innovations techniques de la new wave, l'élégance distante d'un Bryan Ferry, la langueur bizarre d'un Robert Wyatt et quelques influences latines.
One of the great lost treasures of australian 70’s music. Although Autumn began as a bubblegum band in the late-60’s, the early-70’s found them, after various line-up changes, a markedly different band. With lush harmonies, Beatlesque arrangements and a great batch of songs that ranged from breezy pop to progressive rock (as well as the the seven minute orchestral extravaganza: ‘Kill My World’), Comes… Autumn showed a mature and accomplished band that belied both their age and their beginnings. Features the singles ‘Falling’, and ‘Goblin’s Gamble’ plus 5 bonus tracks: including the rare final single ‘Just Couldn’t Believe It’, a spirited cover of The Beatles’ ‘Day Tripper’ and previously unreleased demos. Deluxe reissue is packaged in a 6 panel digi-pak. It has been remastered by Gil Matthews. Liner notes featuring quotes from a recent interview with lead singer Tony Romeril and a 24 page booklet filled with rare photos, posters.
Ken Hensley is an English singer-songwriter, multi-instrumentalist and producer, best known for his work with Uriah Heep during the 1970s. He wrote or co-wrote the majority of Uriah Heep's songs during this period, including the hit singles "Lady in Black" (on which he sang lead vocals), "Easy Livin'" and "Stealin'", as well as "Look at Yourself", on which he also sang lead vocals, and "Free Me". Cold Autumn Sunday was recorded in 2005 in Spain and features a variety of tracks from across Ken's solo career as well previously unreleased tracks.
These underrated folk-rock pioneers cut a great number of unreleased outtakes/demos during their mid-'60s prime that didn't make it onto the albums they released for the tiny Autumn label during that period. Fourteen of those songs were released in the early 1980s by Rhino on the fine From the Vaults album. Autumn of Their Years reprises ten of those tunes and adds 16 previously unreleased cuts for a grand total of 26, all of which are group originals. There are a lot of fine moments here, but it's actually a bit much for all but hardcore fans. First off, the best cuts – ones like "She Sends Me," "Dream On," and "Love is Just a Game," which display their supremely haunting folk-rock melodicism and minor-key harmonies – were already available on From the Vaults.
After the seven-year gap between 1990's Jordan: The Comeback and 1997's Andromeda Heights, many Prefab Sprout fans were surprised by the comparatively brief four years between that album and 2001's The Gunman and Other Stories. The album holds other surprises for the longtime Prefab Sprout fan; for one thing, backing vocalist Wendy Smith is absent, having left the group after the birth of her first child, and for another, it's a Western-themed concept album.
David Gates got all the attention, but James Griffin stood proudly as his cohort during the early days of Bread. Once Bread crumbled, Gates also had hits but Griffin didn’t, despite developing a strong body of work that finally gets anthologized via Hux’s 2013 compilation, Just Like Yesterday: The Solo Anthology 1974-77. During these four years, Griffin released just two albums—1974’s Breakin’ Up Is Easy and 1977’s eponymous LP—and both records are here, along with the bonus tracks of “Just Like Yesterday” and “She Knows,” the latter coming from a May 1974 performance on the Old Grey Whistle Test. Compared to Gates, Griffin isn’t quite as buttery: his voice is fine-grain sandpaper and he is sometimes happy enough to skirt the boundaries of soft rock, particularly on his 1974 debut.
Jimmy Griffin, co-founder of the soft rock super group "BREAD", who's hits "Baby I'm A Want You", "Guitar Man", "Make It With You", "If", "Diary", "Aubrey" "It Don't Matter To Me", and "Sweet Surrender". This CD set gives you an in-depth look at Griffin’s masterful song writing, incredible vocals, and impeccable musicianship. Wraysong Records has been working for years to collect the music of Jimmy Griffin. Martha Griffin gave long time friend Ray Chafin all the recorded material from Jimmy's archives, and Ray has worked diligently to restore and re-master every one, so that he can now share Jimmy's mostly unheard, and some unreleased music with you!