Solos

An Easy Guide To 10 Classic Rock Solos That Will Help You Play Guitar With Confidence And Create Inspiring Solos From Scratch… Do you know that you can play 10 classic rock solos from start to finish by using simple techniques that anyone can master in just a few short weeks? 10 Classic Rock Solos is an in-depth study of legendary rock solos, licks, and techniques that will help any guitarist play

9012 Live: The Solos is the third live album by English rock band Yes, released as a mini-LP on 7 November 1985 by Atco Records. Recorded during their 1984 world tour in support of their eleventh studio album, 90125 (1983), the album features a selection of solo tracks performed by each of the five band members, plus live versions of two songs from 90125. The album was an accompany release to the band's 1985 concert film, 9012 Live. "Si", "Solly's Beard", and "Soon" were recorded on 24 June 1984 at Westfalenhalle in Dortmund, Germany. All other tracks were recorded on 28 September 1984 at Northlands Coliseum in Edmonton, Alberta. "Hold On", "Changes", "City of Love", and "It Can Happen" are part of the soundtrack to the movie 9012 Live.

Mike Nock - Piano Solos (1978) {2015 Japan Timeless Jazz Master Collection Complete Series}
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© 1978, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6415
Jazz / Post Bop / Neo Bop / Piano

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Beautiful solo work from pianist Mike Nock – a set that's got some of the dark edges and dynamic energy of Nock's previous 70s recordings – but an album that also shows some newly lyrical elements as well! Some passages have Mike hitting the keys with the sort of frenzied creation he reached on fusion recordings – but with wonderful results on the acoustic piano – and other moments have this enhanced sense of melody that makes for very beautiful, expressive passages – maybe a touch more sentiment than the younger Nock would have allowed himself, but never in a way that's soppy or overdone. The balance in these modes is great – and reminds us that Nock can be equally compelling a solo performer as he is in a group – on titles that include "Enchanted Garden", "Polyhedron", "Fallen Angel", "California Country Song", "Soliloquy", and "Jacanori".

This release is a change of pace for Eliane Elias. Instead of interpreting Brazilian songs, fusion, or modern bop, Elias shows off her classical technique on a set of acoustic solos plus six duets with Herbie Hancock. She really digs into the standards (sometimes sounding a little like Keith Jarrett) and creates some fairly free and unexpected ideas while putting the accent on lyricism. Some of the music is introspective, and there are wandering sections, but the net results are logical and enjoyable. As for the duets, Elias and Hancock mostly stay out of each other's way, which is an accomplishment when one considers that the four-part "Messages" is a series of free improvisations. There are playful spots (particularly on the adventurous ten-minute rendition of "The Way You Look Tonight") and, since Elias knows Hancock's style well (and was clearly thrilled to have him on the date), their collaborations work quite well.

Alexey Zuev has a very special relationship with Stravinsky’s music. From the age of seven, it entered his musical universe like a premonition, when he unknowingly ‘composed’ a piece that bore astonishing similarities to Petrushka. Five years later, he discovered the ‘real’ Stravinsky and his music never left him.

Pierluigi Billone - Mani. Percussion solos - Adam Weisman (2010) {ein klang records EKR044}
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© 2010 ein klang records | EKR044
Classical / Modern Classical / 21st Century / Experimental / Percussion

Born in 1960, Pierluigi Billone lives in Milan and is one of today's leading avant-garde Italian composers. He studied with Salvatore Sciarrino and Helmut Lachenmann and has been composer-in-residence at the Hamburg State Opera. Much of his career has been spent in Germany. He was winner of the Composition Award of the city of Stuttgart in 1992 and of the Busoni Compostion Award in 1997. He also received the Heinrich Strobel Scholarship in 1995, and the Bank of Austria Compostion Prize in 2003. A teacher and performer as well as composer, he has participated in numerous concerts as a guitarist. His music has frequently been performed at the Donaueschinger Festival and other venues. He has developed an individual brand of musique concrete instrumentale, or instrumental theater.