Someday my Prince Will Come

Tigran Hamasyan - A Fable (2011) [FLAC]  Music

Posted by Juma at March 11, 2011
Tigran Hamasyan - A Fable (2011) [FLAC]

Tigran Hamasyan - A Fable
EAC > FLAC | individual tracks | Log + CUE | cover scans | ~225 MB incl. recovery (3%)
Jazz, Modern Creative, Crossover Jazz | Label: Universal Music (Verve) | Year: 2011

For this recent release, I couldn't find any reviews by the "professionals," so I'll give it a go myself:
After listening to the record a couple of times, I still don't know what to make of it. Whereas previous Tigran Hamasyan albums seemed to be organized around a central theme, his latest effort seems to be a mixed bag without obvious connection between the individual songs. Of course, Tigran remains Tigran - a brilliant pianist who knows how to give every tune his own personal seal.

Miles Davis - MILES DAVIS INTEGRAL 1957-1962 (2023)  Music

Posted by Rtax at June 2, 2023
Miles Davis - MILES DAVIS INTEGRAL 1957-1962 (2023)

Miles Davis - MILES DAVIS INTEGRAL 1957-1962 (2023)
WEB FLAC (tracks) - 4.7 GB | MP3 CBR 320 kbps - 1.9 GB
13:53:58 | Jazz | Label: BD Jazz

A monumental innovator, icon, and maverick, trumpeter Miles Davis helped define the course of jazz as well as popular culture in the 20th century, bridging the gap between bebop, modal music, funk, and fusion. Throughout most of his 50-year career, Davis played the trumpet in a lyrical, introspective style, often employing a stemless Harmon mute to make his sound more personal and intimate. It was a style that, along with his brooding stage persona, earned him the nickname "Prince of Darkness."
Miles Davis - The Original Mono Recordings (2013) {9CD Box Set Columbia 88883756642 rec 1957-1964}

Miles Davis - The Original Mono Recordings (2013) {9CD Box Set Columbia 88883756642 rec 1957-1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.55 Gb | MP3 @320 -> 967 Mb
Full Artwork @ 300 dpi (png) -> 575 Mb | 5% repair rar
© 1957-64, 2013 Columbia / Legacy / Sony Music | 88883756642
Jazz / Hard Bop / Modal Music / Trumpet

For nearly half a century, Miles Davis (1926-1991) was arguably the preeminent innovator in jazz - rarely staying in the same place twice, experimenting with the most cutting-edge styles and ideas he could imagine. This year, some of Miles' most enduring works for Columbia Records are collected the way they were originally heard: MILES DAVIS: THE ORIGINAL MONO RECORDINGS. Each CD, newly remastered by Mark Wilder at Battery Studios, is housed in a mini-LP replica jacket, faithfully replicating the original LP sleeves. They are encased in a quality slipcase, alongside a 40-page booklet with rare photos and brand-new essay offering in-depth, first-hand accounts from George Avakian, who signed Miles to Columbia in 1955, AND play-by-play from mastering engineer Mark Wilder. This is the true genius of Miles Davis as most people first heard it, the way it was intended to be heard: in mono.
Chick Corea Trio - Trilogy (2013) [Official Digital Download 24bit/96kHz]

Chick Corea Trio - Trilogy (2013)
FLAC (tracks) 24 bit/96 kHz | Time - 204:57 minutes | 4,18 GB
Studio Master, Official Digital Download | Artwork: Front cover

Jazz piano icon Chick Corea presents "Trilogy" released under Stretch Records/Concord Jazz - A live, triple-CD document of his virtuosic trio with bassist Christian McBride and drummer Brian Blade. The album ranges from reinventions of classic Corea compositions and previously unrecorded originals to an array of jazz standards and even freshly re-imagined Scriabin.
Wynton Kelly Trio - Complete Vee Jay Studio Recordings (2007) {2CD Set, Lone Hill Jazz LHJ10296 rec 1959-1961}

Wynton Kelly Trio - Complete Vee Jay Studio Recordings (2007) {2CD Set, Lone Hill Jazz LHJ10296 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 808 Mb | MP3 @320 -> 346 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1959-61, 2007 Vee-Jay / Lone Hill Jazz | LHJ 10296
Jazz / Hard Bop / Piano

This release contains the complete Vee-Jay studio recordings by the Wynton Kelly trio for the first time ever on one edition. The Wynton Kelly heard here (from the period 1959-1961), as the original liner notes clearly state, was at the peak of his fruitful collaboration with Miles Davis, with Paul Chambers, Jimmy Cobb and the inimitable John Coltrane filling out the celebrated quintet. So it is truly interesting to hear Kelly as the main performer, displaying his own personality and even playing some of his own compositions.
Bill Evans - Live At Art D'Lugoff's: Top Of The Gate (1968/2012) [Official Digital Download]

Bill Evans - Live At Art D'Lugoff's: Top Of The Gate (1968/2012)
FLAC (tracks) 24 bit/44,1 kHz | Time - 89:18 minutes | 981 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Live at Art D’Lugoff’s: Top of the Gate", a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez. This dazzling collection of jazz standards and classics from the Great American Songbook includes the standouts, “'Round Midnight”, “My Funny Valentine”, “Someday My Prince Will Come” and much more. Displaying their infectious energy and raw synergy, the album marks the only Evans recording ever released from The Village Gate. This stellar download has already been declared one of jazz’s greatest discoveries and is a vital addition to any collection.
The Bill Evans Trio - "Live" (1971) Japanese Remastered Reissue 1995

The Bill Evans Trio - "Live" (1971) Japanese Reissue 1995
EAC | FLAC | Tracks (Cue&Log) ~ 302 Mb | Mp3 (CBR320) ~ 141 Mb | Scans included
Piano Jazz, Cool, Post-Bop | Label: Verve | # POCJ-9136 | Time: 00:49:22

Originally released in 1971, Trio Live is a concert album featuring pianist Bill Evans and his trio performing at the Trident Club in Sausalito, California in 1964. Backing Evans at this time were bassist Chuck Israels and drummer Larry Bunker. This is laid-back date that finds Evans delving into a handful of jazz standards including such songs as "Someday My Prince Will Come," "How My Heart Sings," "What Kind of Fool Am I?", and others. Although by no means an essential release, ardent Evans fans will definitely want to check this out.

Herbie Hancock - The Piano (1979) {2004 Columbia Remaster}  Music

Posted by ruskaval at Dec. 28, 2010
Herbie Hancock - The Piano (1979) {2004 Columbia Remaster}

Herbie Hancock - The Piano (1979) {2004 Columbia Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 186 Mb
Full Artwork @ 300dpi (jpg) -> 16 Mb
© 2004 Columbia / Legacy | CK 87083
Jazz / Hard Bop / Post Bop / Piano

Herbie Hancock never really focused on solo piano. However, this 1978 release, which was previously only available in Japan, is a rare gem in the Hancock discography. Thanks … Full Descriptionto this overdue 2004 reissue, the listener is invited to explore the musical mind of this pianist in an up-close and intimate setting. All 11 tracks on THE PIANO are quite reflective, with Hancock employing many rich chordal textures and winding melodic gestures throughout. On "My Funny Valentine," Hancock combines the harmonic palette of Bill Evans with his own distinctive phrasing and unexpected modal shifts. His own composition "Blue Otani" is the only bluesy piece on this disc, and here Hancock slyly suggests the stride piano tradition without ever really playing in this style.
Simon Mulligan - American Songbook, Vol. 2 (2018) [Official Digital Download 24/192]

Simon Mulligan - American Songbook, Vol. 2 (2018)
FLAC (tracks) 24-bit/192 kHz | Time - 63:27 minutes | 2,00 GB
Studio Master, Official Digital Download | Artwork: Front cover

Simon Mulligan performs more sparkling renditions of classics from the American Songbook. This is the newest addition to the Steinway Standards series.

Paul Desmond - Summertime (1968/2004)  Music

Posted by mark70 at Nov. 9, 2016
Paul Desmond - Summertime (1968/2004)

Paul Desmond - Summertime (1968/2004)
EAC Rip | FLAC (tracks) + Cue + Log | Covers | 40:39 min | 253 MB
Genre: Mainstream Jazz, Cool | Label: AM Records (#SP-3015)

In the midst of lolling away his time in semi-retirement after the Dave Brubeck Quartet broke up in 1967, Paul Desmond allowed himself to be lured back into the recording studio by producer Creed Taylor, who knew exactly what to do with his idle, but by no means spent, alto player. The result is a beautifully produced, eclectic album of music that revives Desmond's "bossa antigua" idea and sends it in different directions, directly toward Brazil and various Caribbean regions, as well as back to the jazzy States.