Something 甄楚倩

Based out of the town Zutphen, Netherlands, one man artist Boele Gerkes produces old-school synthesizer music inspired by Klaus Schulze,Tangerine Dream, Jean Michel Jarre, Kraftwerk and Vangelis.

Soul jazz supergroup Something Else!, led by alto sax master Vincent Herring, revisits the vital, funky grooves of an unforgettable era. The all-star band’s groove-driven debut features Jeremy Pelt, Wayne Escoffery, Paul Bollenback, David Kikoski, Essiet Essiet and Otis Brown III.

Soul jazz supergroup Something Else!, led by alto sax master Vincent Herring, revisits the vital, funky grooves of an unforgettable era. The all-star band’s groove-driven debut features Jeremy Pelt, Wayne Escoffery, Paul Bollenback, David Kikoski, Essiet Essiet and Otis Brown III.

Soul jazz supergroup Something Else!, led by alto sax master Vincent Herring, revisits the vital, funky grooves of an unforgettable era. The all-star band’s groove-driven debut features Jeremy Pelt, Wayne Escoffery, Paul Bollenback, David Kikoski, Essiet Essiet and Otis Brown III.

In the mid-1970s, Andrew Gold’s skills as a musician and an arranger were ubiquitious, appearing on some of the biggest records of the decade by artists such as Linda Ronstadt, Art Garfunkel, and James Taylor. By 1977, he had reached the Billboard Top 10 as an artist and writer with his self penned hit, “Lonely Boy.” In the mid ’80s and early ’90s, Andrew’s song “Thank You For Being A Friend” was used as the theme for the hugely successful NBC-TV sitcom The Golden Girls. From 1992–1999, Andrew was the TV theme voice of the Paul Reiser—Helen Hunt comedy starrer Mad About You and in 2019, Andrew’s “Spooky Scary Skeletons” found new life thanks to a viral dance craze on TikTok that has reached over 250 million people!

Esoteric Recordings are proud to announce the release of a newly expanded and re-mastered edition of the classic 1968 live recordings made by The Move at the legendary Marquee Club in London. Of all of the groups to emerge in Britain in the latter half of the 1960s, The Move was arguably one of the finest. A powerful act on stage, the group was blessed with one of the most imaginative songwriters of his generation in Roy Wood.
On 27th February 1968 The Move staged a concert at The Marquee Club with the intention of recording the concert for release as a live record. Due to technical issues, some of the material recorded was deemed to be unsuitable for release. In an attempt to rectify this, a further concert at The Marquee was recorded on 5th May…