Sondheim

“The finest all-Sondheim album ever recorded,” was The Wall Street Journal’s verdict on Melissa Errico’s ecstatic, inward-turning Sondheim Sublime (released in 2018). Now, her new tribute to Broadway’s greatest songwriter, Sondheim In The City, changes tone to offer us a more outward-driven, kaleidoscopic street fair of New York scenes and moments – summoning back to life the poetic vision of a man who once confessed that his entire creative life had been spent in a twenty-block radius of Manhattan.

“The finest all-Sondheim album ever recorded,” was The Wall Street Journal’s verdict on Melissa Errico’s ecstatic, inward-turning Sondheim Sublime (released in 2018). Now, her new tribute to Broadway’s greatest songwriter, Sondheim In The City, changes tone to offer us a more outward-driven, kaleidoscopic street fair of New York scenes and moments – summoning back to life the poetic vision of a man who once confessed that his entire creative life had been spent in a twenty-block radius of Manhattan.

What is there left to say about this musical, deservedly one of the most famous in the canon? Created by what lyricist Stephen Sondheim described as "a unique concatenation of people" (Leonard Bernstein, Sondheim, Arthur Laurents, Jerome Robbins), the show remains as explosively vibrant, daring, and modern as it was decades ago. Bernstein integrated Latin percussion and jazz into his electrifying score, dazzlingly translating New York's unique vitality into a musical idiom. West Side Story has been adapted for jazz and interpreted by pop and opera singers, but you owe it to yourself to check out the original version to see what the fuss was all about. This new reissue adds over 20 minutes of "symphonic dances" as well as liner notes and production photos.