Songs Of Hope And Comfort

"I wanted it to be the biggest sounding Foo Fighters record ever. To make a gigantic rock record but with Greg Kurstin's sense of melody and arrangement… Motorhead's version of Sgt. Pepper… or something like that." So speaks Dave Grohl of the mission statement made manifest in Foo Fighters' ninth epic, the aptly-titled Concrete and Gold, due out September 15 worldwide on Roswell Records / RCA Records. Concrete and Gold was written and performed by Foo Fighters, produced by Greg Kurstin and Foo Fighters, and mixed by Darrell Thorp.

“Once upon a time…” Those four words bring us comfort, joy, and hope, as they start a plethora of stories that often end with “happily ever after.” We carry these stories in our hearts like dear old friends, turning to them for inspiration, courage, and entertainment—much in the same way as those who originally told them used them to pass the time and share lessons among family and friends. However, the stories we know now are not always the same ones that were told centuries ago, and were not always told for the same reasons.

Silky mellow poetic sentiment and of urban and luscious sound, melts such comfort. Supple voice and sentiment, sensual & Sensitive aroma drifting ongoing soul music in smooth. From exquisite cover of Marvin Gaye / Stevie Wonder / Michael Jackson / Sade / Beyonce, post di Angelo - Robert Glasper generation people in the know that has passed through the Neo-Soul by masterpiece group, Yuku melts on the night of Shijima a romantic night cruise-bedroom Soul jazzy & until the heart warm standard interpretation, gem competent Give a Free Soul is "2010s of Urban Sweet" on the theme!

Ignored by the majority but adored by a faithful, modest few, Failsworth, Manchester's Puressence were something of a contradiction in terms. Although they shared a laddish image and an implied arrogance with the mid-'90s incarnations of other north west England indie rock acts such as Oasis and the Charlatans, the high-register, ethereal vocals of frontman James Mudriczki pointed to something altogether more sophisticated. Claims that the band met on a bus on the way to the Stone Roses' legendary May 1990 gig at Spike Island, helped fuel and maintain their down-to-earth credentials, while in contrast their music represented a transcendence of the mundane – similarly executed during this period by acts such as Aberdeen, Scotland's Geneva, and later by Southampton's the Delays.