Songs in The Key of Life (1976)

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

One of the most celebrated singer-songwriters of the 20th Century, some of her most successful and critically acclaimed work includes "Blue", "Ladies of the Canyon", "Court and Spark", and "Both Sides, Now". The recipient of a 2002 Grammy Lifetime Achievement Award, she was also ranked #72 in Rolling Stone's 2003 list of the greatest guitarists of all time. In 1997, Mitchell was inducted into the Rock and Roll Hall of Fame.

All This and World War II is a 1976 musical documentary that juxtaposes Beatles songs, performed by a number of musicians, with World War II newsreel footage and 20th Century Fox films from the 1940s. It lasted two weeks in cinemas and was quickly sent into storage. The original intention of the filmmakers was to use actual Beatles music in the film. The decision to use other artists covering Beatles music was made by the film's producers after they realised additional money could be made through a soundtrack album. The decision was a sound one, as the soundtrack actually generated more revenue than the film. The album reached number 23 on the UK album charts, with a total of seven weeks on the chart. Elton John’s rendition of "Lucy in the Sky with Diamonds" was previously released as a single in 1974 and had been a number one hit. Rod Stewart’s version of "Get Back" was subsequently released and became a UK hit single. Ambrosia’s cover version of "Magical Mystery Tour" was released and became a US hit single reaching #39 on the Billboard Charts. The Bee Gees, who contributed three songs, would go on to star in Sgt. Pepper's Lonely Hearts Club Band, another film that exclusively used Beatles songs.

Although Billy Joel never was a critic's favorite, the pianist emerged as one of the most popular singer/songwriters of the latter half of the '70s. Joel's music consistently demonstrates an affection for Beatlesque hooks and a flair for Tin Pan Alley and Broadway melodies. His fusion of two distinct eras made him a superstar in the late '70s and '80s, as he racked an impressive string of multi-platinum albums and hit singles.

Blue Öyster Cult is an American rock band from Long Island, New York, whose most successful work includes the hard rock and heavy metal songs "(Don't Fear) The Reaper", "Godzilla" and "Burnin' for You". The band has sold over 24 million records worldwide, including 7 million records in the United States alone. Because of their unique sound and diversity, Blue Öyster Cult has been influential to many modern bands that span many genres, and are often viewed as important pioneers of several different styles of rock music that came to prominence in the 1980s and 1990s.

Steve Miller had started to essay his classic sound with The Joker, but 1976's Fly Like an Eagle is where he took flight, creating his definitive slice of space blues. The key is focus, even on an album as stylishly, self-consciously trippy as this, since the focus brings about his strongest set of songs (both originals and covers), plus a detailed atmospheric production where everything fits. It still can sound fairly dated – those whooshing keyboards and cavernous echoes are certainly of their time – but its essence hasn't aged, as "Fly Like an Eagle" drifts like a cool breeze, while "Take the Money and Run" and "Rock 'n Me" are fiendishly hooky, friendly rockers.

Todd Rundgren 70's Collection offers 117 tracks digitally remastered in 96 kHz, 24bit. Todd Rundgren may be known as an overindulgent pop singer and producer – but he's also got a fantastic talent for a good little pop song, and his 70s albums are littered with gems that often get lost amidst the shuffle of more overblown numbers. This collection includes following albums: Runt (1970), Runt: The Ballad Of Todd Rundgren (1971), Something/Anything? (1972), A Wizard, A True Star (1973), Todd (1974), Initiation (1975), Faithful (1976), Hermit Of Mink Hollow (1978).