Sony Music Japan

Michael Jackson - Bad 25 (2012) {3CD+DVD Deluxe Edition Set, Sony Music Japan, EICP-1541~4}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 1.40 Gb | MP3 @320 -> 447 Mb
Full Artwork @ 600 dpi (png) -> 1.04 Gb | 5% repair rar
DVD9 -> 7.20 Gb | All Regions | NTSC 4:3 | PCM Stereo / Dolby AC3, 6 ch | ~ 2h15m | ISO Image
© 1987, 2012 Epic / Sony Music Japan | EICP-1541~4
Pop / R'n'B / Dance Pop

Deluxe edition of "BAD" release from Michael Jackson. This deluxe edition consists of three CDs, a DVD, two color booklets, a double-sided poster, and a sticker. Disc 1: The original album featuring 2012 rematering. Disc 2: A CD containing previously unreleased material recorded during the BAD sessions, unreleased demo tracks, and remixes by popular artists. Disc 3: A CD featuring his concert held on July 16, 1988 at Wembley Stadium. Uses the multitrack-recorded master. Disc 4: A DVD featuring his concert held on July 16, 1988 at Wembley Stadium. Also comes with a Japanese description and lyrics. Bonus Track: Japan edition bonus track.

Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, author, and painter, who has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" that became anthems for the Civil Rights Movement and anti-war movement. In 1965, he controversially abandoned his early fan-base in the American folk music revival, recording a six-minute single, "Like a Rolling Stone", which enlarged the scope of popular music…

The studio album didn't work, but Beck Bogert & Appice's Live in Japan is a bit of a better bet, since it captures more of their interplay, thereby giving a better idea of why Bogert decided to embark on this particular project…

Released in 1976, Jeff Beck's Wired contains some of the best jazz-rock fusion of the period. Wired is generally more muscular, albeit less-unique than its predecessor, Blow by Blow. Joining keyboardist Max Middleton, drummer Richard Bailey, and producer George Martin from the Blow by Blow sessions are drummer Narada Michael Walden, bassist Wilbur Bascomb, and keyboardist Jan Hammer…

Continuing with the same group lineup as on Rough and Ready, Jeff Beck Group was slagged off by critics for Steve Cropper's admittedly lazy production. However, several of the songs hold up masterfully, including the skronky "Ice Cream Cakes," the superlative redo of Don Nix's "Going Down," and the beautifully sad and wistful instrumental, "Definitely Maybe." Beware of early, poor-sounding versions…

Adrian and Paul Gurvitz might be better known for their travels with Ginger Baker in the Baker Gurvitz Army, but in the late '60s the brothers helmed the heavy rock trio Gun and caught a whiff of success in the U.K. with their debut single "Race with the Devil." Using the less-ethnic surname Curtis, Adrian (guitar) and Paul (bass) teamed up with drummer Louis Farrell and pounded out some distinctive psych-flavored proto-metal…

Thelonious Monk - Solo Monk (1965) {2013 Columbia-Sony Music Japan Blu-Spec CD2 SICP-30247}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 369 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (png) -> 119 Mb | 5% repair rar
© 1964-65, 2013 Columbia / Sony Music Japan | SICP-30247
Jazz / Bop / Post Bebop / Modal Music / Piano

Reissue. The latest remastering. Features the high-fidelity Blu-spec CD2 format. Bonus tracks. Monk was a perfectionist not always well-understood by the public or even the musicians of his day. All his other recordings involve other musicians with whom he must interact with varying results. This sometimes makes it difficult to hear Monk as himself rather than as an ensemble player. But this recording gives us a great window into Monk's musical soul unencumbered with any exogenous distractions. One gets the feeling that Monk is playing for himself with no one else in the room. Production values are nil: just Monk and a piano in a bare studio. It is a privelege to be able to eavesdrop on his private explorations of themes of, presumably, his own choosing. Having bonus tracks with 'duplicate' songs is a genuine positive; it allows you to hear Monk's differing approaches to the same material.