Sophie And Jacob

This release was originally part of a two-disc album of vocal and instrumental pieces by Elisabeth Jacquet de la Guerre issued in 1986. The music by this gifted contemporary of François Couperin is enjoying a renaissance, and justifiably, for it is inventive and affecting. Sopranos Isabelle Poulenard and Sophie Boulin are fluent in the somewhat rarefied idiom of the 'cantate française' and the result is delicately pleasing. Four of the cantatas on the disc are taken from Jacquet's first collection of Cantates françaises sur des sujets tirés de l'écriture, published in 1708, and dedicated to Louis XIV. The fifth work, Jephté, comes from a second collection issued in 1711 and is distinct from the other cantatas on the disc in being written for two voices rather than one.

Handel’s English oratorios, though unstaged, generally remain vividly theatrical. Samson is less operatic, opening with the hero already defeated, blinded and in chains, long after Dalila’s seduction and subsequent treachery. The drama is of the mind rather than of action, with virtually no incidents in Act I, and Act II limited to two encounters, Dalila offering remorse and the giant Harapha mocking the captive.

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.

Dunedin Consort continues to apply its pioneering approach to recordings by releasing two alternative performing versions of one of Handel’s greatest dramatic works, Samson. This is the Full Chorus Version.

Dunedin Consort continues to apply its pioneering approach to recordings by releasing two alternative performing versions of one of Handel’s greatest dramatic works, Samson. This is the Full Chorus Version.
This version employs an authentic Handelian chorus, comprising both boy trebles from the Tiffin Boys' Choir and solo sopranos – a sonority largely unheard in the modern age.