Esoteric Recordings are pleased to announce the release of a newly re-mastered edition of Tangerine Dream’s classic soundtrack to the legendary film Sorcerer, directed by William Friedkin in 1976. Tangerine Dream members Edgar Froese, Christopher Franke and Peter Baumann composed a stunning electronic score which perfectly accompanied Ffriedkin’s imagary and was the band s first commission for a Hollywood movie. This Esoteric Reactive edition is newly re-mastered, restores the original album artwork and includes a lavishly illustrated booklet with new essay.
In 1976, Nile Rodgers & Bernard Edwards founded the legendary CHIC Organization Ltd. Together they wrote and produced many number one hits and very quickly became the biggest hit music factory since Motown. A few years after the dawn of Disco, Nile Rodgers & Bernard Edwards disbanded The Chic Organization Ltd., but they kept on playing & producing, with Nile Rodgers quickly becoming the biggest pop producer of the 80’s. In 1983, he produced David Bowie’s “Let’s Dance” and in 1984, Madonna’s “Like a Virgin”. Many more artists also benefited from his incredible production skills and unique guitar style, including Mick Jagger, INXS, Duran Duran, Eric Clapton, Hall & Oates, Stevie Ray Vaughan, Mariah Carey, Maroon 5, Michael Jackson, Grace Jones…to name but a few.
The Anthology Decades is a compilation of older studio material which has been previously unreleased, though some of the tracks seem to be remixed ('tangentized') or alternate versions of some well-known material: Sunset In The Fifth System obviously bases on an excerpt from Alpha Centauri, Exit To Heaven is very similar to Edinburgh Castle, and Landing On 51 essentially overlays Astral Voyager with some new melody lines. On the other hand, official information from the Tangerine Dream Forum state: "Speculations on so-called 'tangentized' material or the use of some 'overwashed' production methods are completely false. They are compositions out of the 70ies and 80s which have been recorded for the first time or have been taken from Edgar's personal sound library"…
Despite being credited to both Edgar Froese and Jerome Froese, in fact only the final track of the disc carries anything of Edgar's fingerprints, being an alternate mix of his own composition Mombasa, originally released just a few months ago on Booster III (2009). All of the other remixes on DM V are solely the result of Jerome's work on classic TD material from the seventies and eighties, all of which have the original music more or less discernible at some point within them. The most deeply buried of the originals is the brief inclusion of a snatch of Rubycon (1975) as an inner layer to The Return of Time, largely swallowed by a newly minted percussion pulse and swathe of electronic textures. Other tracks, however, offer substantial representations of clearly recognisable original thematic materials, in bold but entirely appropriate new ways, such as the title track from Exit (1981) as Flow Paths…
"Lily On The Beach", recorded and released in 1989, had two aspects showing TD's musical direction for the nineties: It was the first TD album featuring Edgar Froese's then 19 year old son Jerome Froese as guest musician playing lead guitar on the track Radio City; Jerome would become a regular member of TD in the next year and get more and more influence on TD's work in the future. On the other hand Long Island Sunset was the first TD composition featuring saxophone, an uncommon type of instrument for TD's music of the eighties, but becoming a strong part of their work in the early nineties.