Soundgarden

Various Artists - Sub Pop 200
EAC/Flac+Log-no Cue = 444 MB | MP3 vbr v0 234kbps avg = 127 MB | Full Scans 300 dpi | Rs.com
Rock/Grunge | Sub Pop Records #SPCD 25 - 98787-0025-2 | 1988

Sub Pop 200 is a compilation released in the early days of the Seattle grunge scene (December 1988). It features songs (many of them first releases and otherwise unattainable) from Tad, The Fluid, Nirvana, Steven Jesse Bernstein, Mudhoney, The Walkabouts, Terry Lee Hale, Soundgarden, Green River, Fastbacks, Blood Circus, Swallow, Chemistry Set, Girl Trouble, The Nights and Days, Cat Butt, Beat Happening, Screaming Trees, Steve Fisk, and The Thrown Ups.
Many of these bands went on to be incredibly influential in the early 1990s and onwards. Most notable of these were Nirvana, Soundgarden, Green River (who spawned Mudhoney and Mother Love Bone and late Temple of the Dog and Pearl Jam), Screaming Trees, and Mudhoney.
The cover is an illustration by comics artist Charles Burns, who was regularly used by Sub Pop for covers and posters around this period.

The romantic comedy Singles, in part a homage to director Cameron Crowe's hometown of Seattle, was released at exactly the right time (summer 1992). Nirvana's Nevermind had symbolically knocked Michael Jackson off the top of the album charts at the beginning of the year, and the underground buzz about Seattle bands like Alice in Chains, Soundgarden, and Pearl Jam was beginning to find its way past circles of indie aficionados and open-minded hard rock fans and into the mainstream. Singles helped crystallize the idea of the "Seattle scene" in the mainstream public's mind, and it was also one of the first big-selling '90s movie soundtracks (it went platinum and reached the Top Ten) to feature largely new work from contemporary artists. The soundtrack's strength was the way it was so firmly rooted in place – where future soundtrack extravaganzas simply contrived to gather as many big-name acts as possible, Singles focused specifically on Seattle-area music (quite logically, given the film's plot and setting), which gave the album the feel of a cohesive document.

Rising at the end of the 20th Century, SOUNDGARDEN were loud, heavy, genuine, and unaffected by whatever was cool. Their mix of weighty power, soaring melodies and punk sneer made them ideal standard bearers for the grunge movement, but their towering musicianship and intelligent songcraft helped them transcend the era and remain iconic far beyond their origins in the Seattle scene. Arguably their finest and most comprehensive statement, "Superunknown" was the album that launched them to global mega-stardom. It contains some of the most lasting, meaningful, and heaviest songs they ever wrote.