Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band.
Sounds of the Seventies was a 38-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band. Each volume was issued on either compact disc, cassette or (with volumes issued prior to 1991) vinyl record.
Time Life collections are usually rock-solid groupings of classic songs presented carefully and lovingly, and the FM Rock series is no exception. The theme seems to be songs you might find on a free-form FM station, because each volume contains songs that no commercial program director would come close to allowing on the air. Mixed in with these selections are some classic FM tunes as well, making for a wild and unpredictable listen. For example, Vol. 2 has hit tracks by the Doobie Brothers ("Rockin' Down the Highway"), Rod Stewart ("Every Picture Tells a Story"), and Little Feat ("Willin'"), but also obscurities like Crazy Horse's "Gone Dead Train" and Fleetwood Mac's "Jewel Eyed Judy," as well as oddball choices like Moby Grape's "Gypsy Wedding" and Jimmy Cliff's "The Harder They Come." Beyond being entertaining listening, all the entries in the series could turn listeners on to bands they missed the first time around, and are fine additions to the collection of someone who wants to delve deeper into the music of the '70s.
Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.