Sounds Of

This and the very first time it’s not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation. Why? Simply because they both are very close friends of the Compost famlee, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records’ hometown Munich, too. Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that’s the score, idea and open mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too.

Time for Healing signaled the departure of producers Jimmy Jam and Terry Lewis from the Sounds of Blackness camp. Sounds of Blackness – and particularly group leader Gary Hines – also abandon the new jack swing motifs of previous albums in favor of a more urban approach. Given the album's 1997 release date, this isn't surprising – new jack swing had overstayed its course by this point. The new, more urban-sounding Sounds of Blackness isn't afraid to collaborate with rapper Craig Mack on "Spirit," interpolate Roger Troutman on "Hold On (Change Is Comin')," and take liberties with Kenny Gamble and Leon Huff's "Love Train."

A.K. Salim - The Modern Sounds Of A.K. Salim, Complete Savoy Recordings 1957-1958 (2007) {2CD Set Fresh Sound FSR-CD 474}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 651 Mb | MP3 @320 -> 289 Mb
Full Artwork @ 600 dpi (jpg) -> 105 Mb | 5% repair rar
© 1957-58, 2007 Savoy / Fresh Sound Records | FSR-CD 474
Jazz / Bop

A.K. Salim (Ahmad Khatab Atkinson) was an ex-reed man who retired from playing in 1943 to arrange and compose for several jazz and Afro- Cuban bands. This 2-CD set draws together all the recordings he did as a leader for Savoy Records in 1957-1958. Most of his work here reflects Salim’s deep knowledge of blues and his arranger’s talent for setting down relatively simple lines combining down home traditionalism with harmonic sophistication. His unpretentious arrangements have an unmistakably visceral quality and offer a fine framework for the eloquently powerful soloists of both reed and brass sections.

Time Life collections are usually rock-solid groupings of classic songs presented carefully and lovingly, and the FM Rock series is no exception. The theme seems to be songs you might find on a free-form FM station, because each volume contains songs that no commercial program director would come close to allowing on the air. Mixed in with these selections are some classic FM tunes as well, making for a wild and unpredictable listen. For example, Vol. 2 has hit tracks by the Doobie Brothers ("Rockin' Down the Highway"), Rod Stewart ("Every Picture Tells a Story"), and Little Feat ("Willin'"), but also obscurities like Crazy Horse's "Gone Dead Train" and Fleetwood Mac's "Jewel Eyed Judy," as well as oddball choices like Moby Grape's "Gypsy Wedding" and Jimmy Cliff's "The Harder They Come." Beyond being entertaining listening, all the entries in the series could turn listeners on to bands they missed the first time around, and are fine additions to the collection of someone who wants to delve deeper into the music of the '70s.

Sounds Of Space, the title of Cuban pianist and composer Alfredo Rodriguez’ debut recording, evokes images of science fiction. In truth, it’s about a far more personal adventure. “It’s about the space that surrounds us,” he explains. “In this record I wanted to introduce myself: here are the people, the places and the sounds that have surrounded me, and made me who I am.” A key player in Rodriguez’ extraordinary story is producer Quincy Jones, who co-produced Sounds Of Space with Rodriguez.

Compost proudly presents the 13th chapter of this highly acclaimed compilation series. As usual FSOJ is compiled by Compost head honcho Michael Reinboth with a solid sense of leftfield tracks, punchy floorfillers, ghostly, cinematic, balearic, frazzled, bitter-sweet or mind-shaking hybrid tunes. Several magazines voted FSOJ as the one of the best compilation series of all time. With this series starting 1995 the term Future Jazz became a genre landmark.
FSOJ 13 including some exclusives, sought-after tracks and previously unreleased tracks. Some highlights are: First of all the Van Hai track in a Ripperton remix is a perfect opener into a tranquil music venture. A sheer bliss tune. Montezumas Rache "Wu Du Wu", which was only released on vinyl before - still difficult to find the original 12" - is a freaky outstanding funk hybrid…