American eccentric Scott Walker's latest collection of scary stories to sing in the dark is technically a collaboration with the sludgiest band on the planet, but it plays like any of his recent solo albums: flighty, operatic melodies, minimalist circles of percussion, and brittle stabs of noise. SunnO))), the cloaked duo known for foundation-rattling electric guitar drones, provides triumphant punctuation and proper atmosphere, covering his compositions with a layer of tar. With humming menace comes tracks like "Brando" and "Herod 2014," which have the blood-in-the-desert vibe of Cormac McCarthy, with shockingly vivid lyrics ("the nurseries and crèches are heaving with lush lice") and snapping bullwhip from circus performer Peter Gamble. This teaming of a gifted poet and bruising metalheads is like Lou Reed and Metallica's Lulu – but about half as long, and about twice as heavy.

By all rights, the album that came to be known as Big Star's Third should have been a disaster. It was written and recorded in 1975, when Alex Chilton's brilliant but tragically overlooked band had all but broken up. As Chilton pondered his next move, he was drinking and drugging at a furious pace while writing a handful of striking tunes that were often beautiful but also reflected his bitterness and frustration with his career (and the music business in general). Production of the album wasn't completed so much as it simply stopped, and none of the major figures involved ever decided on a proper sequence for the finished songs, or even a title. (The album was also known as Sister Lovers and Beale Street Green at various times.) And yet, Third has won a passionate and richly deserved cult following over the years, drawn in by the emotional roller coaster ride of the songs, informed by equal parts love, loss, rage, fear, hope, and defeat.