Soused

Big Star - Complete Third (2016) {3CD Box Set Omnivore Recordings OVCD-192 rec 1974}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.28 Gb | MP3 @320 -> 485 Mb
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© 1974, 2016 Ardent Music / Omnivore Recordings | OVCD-192
Rock / Contemporary Pop/Rock / Power Pop / Proto-Punk

By all rights, the album that came to be known as Big Star's Third should have been a disaster. It was written and recorded in 1975, when Alex Chilton's brilliant but tragically overlooked band had all but broken up. As Chilton pondered his next move, he was drinking and drugging at a furious pace while writing a handful of striking tunes that were often beautiful but also reflected his bitterness and frustration with his career (and the music business in general). Production of the album wasn't completed so much as it simply stopped, and none of the major figures involved ever decided on a proper sequence for the finished songs, or even a title. (The album was also known as Sister Lovers and Beale Street Green at various times.) And yet, Third has won a passionate and richly deserved cult following over the years, drawn in by the emotional roller coaster ride of the songs, informed by equal parts love, loss, rage, fear, hope, and defeat.

On what may seem like a readymade gag, the psych-folk favorite covers the lost Dave Matthews Band album in full. He convincingly connects his adolescent love to his adult explorations.

Folky jazz, thematic variations, dusty oscillators and euphonic groove moods will draw you into Rory More’s world. Be it the Lowrey organ-meets-baritone sax grease of ‘Hot Houdaah’, the free electrons orbiting the flute-driven 'Console Majick’, the '70s-tinged jazzed-out mellow funk of 'Outta Here' or the pagan lilt in the 5/4 lope of 'Misty Wood’, you’ll hear Through the dappled dell is a jazzified place that’ll immerse you into Rory More’s sonic mystique.

Back in the '70s, a group of rock & roll carousers called themselves the Hollywood Vampires as they crawled the bars of Los Angeles during the dead of night. Alice Cooper was at the forefront, joined by Harry Nilsson, John Lennon, Ringo Starr, Keith Moon, and Micky Dolenz – a crew so soused that their tales became legend, even if the specifics of the debauchery were often forgotten. Forty years later, Alice Cooper revived the name Hollywood Vampires when he formed a classic rock supergroup with Joe Perry and Johnny Depp.

One of the most enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late '50s and early '60s in the teen idol vein. He then hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren't named Walker, they weren't brothers, and they weren't English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) in a Righteous Brothers vein. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects – prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin – that populated Walker's songs.