Space Cowboys (2000)

Esoteric Recordings are pleased to announce the release of a new 5CD remastered clamshell box set by the legendary American band Spirit. Formed in Los Angeles in 1967 from the remnants of The Red Roosters, Spirit was one of the great bands to emerge on the US West Coast in the Psychedelic era. Featuring the talents of 16 year old guitarist Randy California (who had played guitar with Jimi Hendrix in New York the previous year), his step-father drummer Ed Cassidy along with Jay Ferguson (vocals, percussion), John Locke (keyboards) and Mark Andes (bass), Spirit signed to producer Lou Adler’s newly established Ode Records label in late 1967. Their self-titled debut album appeared some months later and demonstrated the breadth and diversity of the band covering psychedelic, rock and jazz influences and featuring such legendary cuts as Fresh Garbage, Uncle Jack, Topanga Windows…

Crimson Gold presents John Denver ‘Gold’, the only John Denver compilation you’ll ever need. John Denver is the American singer, guitarist and songwriter who became one of the biggest-selling singers in the world in the 1970s, with over a million copies of the single ‘I’d Rather be a Cowboy’. He had a six-week television series on BBC 2 in the early 70s where the public warmed to his cowboy shirts, boyish good looks. Success included 15 LPs in the top 40 between 1971-1982, 11 gold and five platinum albums.

Esoteric Recordings are pleased to announce the release of a new 5CD remastered clamshell box set by the legendary American band Spirit. Formed in Los Angeles in 1967 from the remnants of The Red Roosters, Spirit was one of the great bands to emerge on the US West Coast in the Psychedelic era. Featuring the talents of 16 year old guitarist Randy California (who had played guitar with Jimi Hendrix in New York the previous year), his step-father drummer Ed Cassidy along with Jay Ferguson (vocals, percussion), John Locke (keyboards) and Mark Andes (bass), Spirit signed to producer Lou Adler’s newly established Ode Records label in late 1967. Their self-titled debut album appeared some months later and demonstrated the breadth and diversity of the band covering psychedelic, rock and jazz influences and featuring such legendary cuts as Fresh Garbage, Uncle Jack, Topanga Windows…

Thomas Fanger brings his exquisite sensibility to bear on Parlez-vous Electronique?, his first solo release. The contrasting tonalities and fascinating interplay of sequencer patterns prove a compelling foundation for his melodically pure lead lines and harmonic motifs. The works are enlivened by Mellotron themes, warm pads and shimmering cosmic effects as intertwining patterns of synth tones race with each other across a galactic ocean of emptiness. The complex and detailed electronic rhythms build and then unravel as a unique space surrounds the listener. This album resembles the classics as Fanger summons the spirit of electronic invention to realize nine tracks drawn from the influential foundation of German Spacemusic…

Paul Bruce Dickinson (born 7 August 1958) is an English singer, songwriter, musician, airline pilot, entrepreneur, author, and broadcaster. He is known for his work as the lead singer of the heavy metal band Iron Maiden and is renowned for his wide-ranging operatic vocal style and energetic stage presence…

Who says you can't make a great record in one day – or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which included the lost verse. It's far from the best cut here, though. There are other covers, such as Margo Timmins' a cappella read of the traditional "Mining for Gold," a heroin-slow version of Hank Williams' classic "I'm So Lonesome I Could Cry," "Dreaming My Dreams With You" (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic "Walkin' After Midnight" that closes the disc. Those few who had heard the band's previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse – and without the ear-threatening volume.