Special Jakob Magnusson

12 years after his album entitled ‘Italian Virtuosi of the Chitarrone’ (BIS-1899), Jakob Lindberg returns to his magnificent theorbo, specially built for him by the luthier Michael Lowe, based on an instrument preserved in the Musée de la Musique in Paris. One of the most spectacular instruments of the early baroque owing to its length and great number of strings, the theorbo was originally designed to accompany the voice, but is also ideally suited to solo performance. For this disc, Lindberg has chosen pieces by Robert de Visée, one of the great French masters of the lute, theorbo and guitar repertoire and a favourite of Louis XIV. The recording features dances as well as character pieces, including a moving ‘Plainte’ in memory of his two deceased daughters.

The first Japanese composer to achieve international status, Tōru Takemitsu proposed a fusion between Western music and the culture of his country. His music radiates a lyrical intensity that comes as much from his roots in the early modernists Debussy and Alban Berg as from his affinity with the more overtly experimental mid-twentieth-century styles of John Cage and Morton Feldman. Played throughout the world, he is considered one of the most important composers of the second half of the 20th century.

The Swedish lutenist, Jakob Lindberg, developed his first passionate interest in music through the Beatles. He started to play the guitar and soon became interested in the classical repertoire. From the age of 14 he studied with Jörgen Rörby who also gave him his first tuition on the lute. After reading music at Stockholm University he went to London to study at the Royal College of Music. Here he further developed his knowledge of the lute repertoire under the guidance of Diana Poulton and decided towards the end of his studies to concentrate on Renaissance and Baroque music.

12 years after his album entitled ‘Italian Virtuosi of the Chitarrone’ (BIS-1899), Jakob Lindberg returns to his magnificent theorbo, specially built for him by the luthier Michael Lowe, based on an instrument preserved in the Musée de la Musique in Paris. One of the most spectacular instruments of the early baroque owing to its length and great number of strings, the theorbo was originally designed to accompany the voice, but is also ideally suited to solo performance. For this disc, Lindberg has chosen pieces by Robert de Visée, one of the great French masters of the lute, theorbo and guitar repertoire and a favourite of Louis XIV. The recording features dances as well as character pieces, including a moving ‘Plainte’ in memory of his two deceased daughters.

This is now the third disc I have heard by the master lutenist Jakob Lindberg of the eloquent music of Sylvius Weiss. Weiss sweetly combines elegance and sentiment in a manner that is both intellectually and sensually satisfying. To my ears, Lindberg portrays the music perfectly, the sensitive Sarabande in the Sonata in C as well as the ensuing minuet, the tension of the opening of the Tombeau sur la Mort de M. Comte de Logy as well as the devastatingly sober theme. The Tombeau is an almost 12-minute piece at a tempo that crawls rather than walks, and yet it holds the attention.

Jan Antonín Losy was born around 1650 of a prosperous Bohemian family. After the death of his father, the first Count of Losinthal, he inherited not only his title but also considerable wealth. He was therefore able to devote his life to music, and his skill as a lutenist became famous throughout Europe. Unlike professional players, Losy had no need to sell or publish his music but fortunately it has survived in numerous manuscript copies. Today we have almost 200 pieces by Count Losy, many of which once belonged together in larger suites or partitas.

Martin Rude (Sun River) & Jakob Skøtt (Causa Sui) team up for a genre-defying record that was recorded during an exceptional session on March 3rd 2020. Martin brought his Double Bass, Acoustic & Baritone guitar into the studio of Causa Sui, where Jakob's drums were already miked & prepped by soundwiz Jonas Munk, freshly tuned from the new Causa Sui recordings. The music they played ranges from sprawled out pre-fusion electric jazz to psychedelic folk ragas. After the sessions, the hours of free floating music was edited & dubbed by Jakob Skøtt into shorter cohesive segments, but maintaining the improvised vibe of these first takes.

Martin Rude (Sun River) & Jakob Skøtt (Causa Sui drummer) team up for their 2nd album in 2020, following their acclaimed debut The Discipline of Assent. All basic tracks were cooked up from a new session on July 7th in Causa Sui’s Jonas Munk’s studio. This time around, the duo took it’s time to modulate a few ideas into several takes, but maintaining an “onwards and upwards” attitude, often relying on an original impulse or idea snagged out of the ether.