This superbly recorded double disc (the original engineer was Eddie Kramer, best-known for his work with Hendrix) captured over a weekend worth of dates in February 1970 at the venerable New York City venue catches the Brit boogie quartet at the peak of their powers. These shows were sandwiched between their triumphant Woodstock set and the release of Cricklewood Green, generally considered the band's best work. They find the group primed through years of roadwork, as well as obviously excited to be playing in front of an appreciative N.Y.C. crowd…
The Least We Can Do Is Wave to Each Other is the second album by the British progressive rock band Van der Graaf Generator, released in February 1970 on Charisma Records. It was the group's first album to be released in the UK and the only one to chart in the top 50 in that country. The songs on the album were mostly composed by group leader Peter Hammill but arranged and rehearsed by the whole band. The lyrics covered a variety of themes including relationships with friends, witchcraft and apocalyptic catastrophes, while the music ranged from ballads such as "Refugees" to unusual and aggressive playing on "White Hammer" and "After the Flood". As well as a brief commercial success, the album was well received by critics and continues to be praised.
This album was the debut of Uriah Heep, an English band that would become one of the Titans of the '70s heavy metal sound. Despite their eventual hard-rocking reputation, Very 'Eavy…Very 'Umble finds the band trying on different stylistic hats as they work towards finding their own sound…
Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years…
A new box set, collecting four albums released between 1983 and 1986, is a fascinating look at the early stages of an underrated UK post-punk act.
It's a Doobie delight as members of the veteran group's different eras convene for Rockin' Down the Highway, a 20-song concert recorded in '96 mainly in New York…
Patrick Gowers' score for the Grenada Television series about A. Conan Doyle's consulting detective has become almost as closely linked to Sherlock Holmes in the minds of fans as star Jeremy Brett (1933-1995). But those with no interest in Holmes can also enjoy this recording. Gowers' musical eloquence is richly displayed in these widely diverse, yet cohesive, tracks. Gowers begins the recording with "221B Baker Street," the vivacious theme (performed on Holmes' instrument, the violin, by Kenneth Sillito) that brings to mind Holmes' classic alarm call, "Come, Watson, come! The game is afoot. Not a word!" The cohesiveness of the album comes from Gowers' variations on this theme found throughout the rest of the recording. But the diversity within this cohesiveness is what is remarkable.
The best-known alter ego of the Harry Vanda/George Young songwriting team (the creative force behind the Easybeats), Flash and the Pan began simply as a between-production project in 1976. By 1979, the project had turned out a novelty hit with the single "Hey St. Peter." A second single, "Down Among the Dead," also became a hit throughout Australia and Europe, inspiring the release of the album Flash and the Pan. American radio began playing import copies which led to a deal with Epic Records. The album would soon reach the Top 100 in the U.S. despite the lack of a supporting tour.
While most classical composers attempt to spread around their artistry among various mediums, Stephen Scott has put all of his eggs into the proverbial one basket, specializing in bowed piano music as founder/leader of the Bowed Piano Ensemble, est. 1977. This is not as limited a resource as it sounds; in 1930, Henry Cowell stated he had discovered 165 ways to play the inside of a piano, though if he made a list of all those methods no one has been able to find it. Moreover, Stephen Scott doesn't seem to mind being regarded as "the Bowed Piano Guy." New Albion's The Deep Spaces is his sixth bowed piano CD and demonstrates some measure of stepping out of the box on Scott's part; The Deep Spaces is a song cycle, set to poems by Shelley, Wordsworth, Lord Byron, Pliny, and Pablo Medina and sung by soprano Victoria Hansen.