Teeming with melodic epiphanies and layered sounds, Squid’s second album O Monolith is a musical evocation of environment, domesticity and self-made folklore. Like its predecessor, 2021’s critically acclaimed, UK number 4 album Bright Green Field, it is dense and tricksy – but also more warm and characterful, with a meandering, questioning nature. Expansive, evocative and hugely varied, O Monolith retains Squid’s restless, enigmatic spirit, but it still holds surprises for those familiar with Bright Green Field. It’s a reflection of the outsized progression of a band always looking to the future. Like its namesake, O Monolith is vast and strange; alive with endless possible interpretations of its inner mysteries.
A series of live performances of original songs and covers recorded at Otterhead Studios in 2021 by British post-punk band Squid.
Une étude des ressorts psychologiques développés dans la série coréenne : psychologie du jeu, leadership, rapport à l'argent, capacité humaine à endurer la violence, etc. …
Bill Stewart is the furthest thing from a basher. His taste and intelligence and counterintuitive relationships to time have made him a favorite drummer of people like John Scofield and Pat Metheny. In press notes, the genesis of Space Squid is described: “Stewart had some new compositions that he wanted to record.” Such a motivation is no doubt common, but does not always lead to albums that convey a deep reason to exist, or that feel like unified works.