St Martin in The Field

To commemorate the bicentenary of the death of Wolfgang Amadeus Mozart (December 5, 1791) Philips Classics Records assembled The Complete Mozart Edition comprising 180 compact discs arranged into 45 themed volumes. Each volume in the series is accompanied by a booklet with detailed information about the works. Indicating the significance of this particular series, the words of the accompanying Compactotheque state, "…after the complete Shakespeare, the complete Goethe, or the complete Molière in book form, here is the Complete Mozart on discs." Ready for your MP3 player.

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Andrea A. Lunsford’s years of experience in the classroom and in the field have given her a unique understanding of how, what, where, and why today’s students write.

To commemorate the bicentenary of the death of Wolfgang Amadeus Mozart (December 5, 1791) Philips Classics Records assembled The Complete Mozart Edition comprising 180 compact discs arranged into 45 themed volumes. Each volume in the series is accompanied by a booklet with detailed information about the works. Indicating the significance of this particular series, the words of the accompanying Compactotheque state, "…after the complete Shakespeare, the complete Goethe, or the complete Molière in book form, here is the Complete Mozart on discs." Ready for your MP3 player.

In the late 1970s and early 1980s, groups that played period instruments started to appear. They were strongly associated with particular conductors, usually the musician who formed each ensemble, and generally were not full-time organizations. Typically, they gathered for a limited number of concerts and recordings a year, and their membership was variable. Half the people playing on one day's studio session as the London Classical Players might have been on stage the week before as part of the Academy of Ancient Music. In 1986, a group of the best of these freelance players sought increased security and the artistic benefits of performing regularly as a permanent orchestra, and formed the Orchestra of the Age of Enlightenment. As most London orchestras, they organized themselves into a self-governing co-operative owned by the musicians. As a matter of policy, they decided against appointing anyone as its music director or permanent conductor. This meant they had to shine from the outset to attract the best interpreters to lead their performances.

A newly compiled anthology of Decca recordings on Eloquence surveys the healthy state of Handel singing in England in the 1960s, before this music became the preserve of musicians and singers within the period-instrument movement. This generous (145-minute) collection is based around a pair of newly re-mastered recital albums made by the contralto Bernadette Greevy and the bass Forbes Robinson. Greevy was a true contralto in the tradition of Kathleen Ferrier, Helen Watts, Janet Baker and Norma Procter. Her 1965–56 recital was drawn from a wide range of Handel’s Italian operas (Ottone, Partenope, Alcina, Admeto, Rodelinda, Rinaldo, Atalanta), and it displayed the richness of her voice to fullest advantage, as well as formidable vocal technique and excellent Italian diction.