The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.
30 Verve Collectors Edition album for sale was released Apr 26, 2011 on the Universal Import label. Import-only 30 CD box set containing some of the finest Jazz albums released on the legendary Verve label. 30 Verve Collectors Edition buy CD music Features hit albums from Jazz icons like Antonio Carlos Jobim, Ben Webster, Bill Evans, Ella Fitzgerald, Charlie Haden, Bud Powell, Herbie Hancock, John McLaughlin, Lester Young, Stan Getz, Oscar Peterson and many others. 30 Verve Collectors Edition songs Each CD comes housed in a miniature LP sleeve and all 30 discs are housed in an attractive lift-top box. Universal. 30 Verve Collectors Edition CD music contains a single disc.
Having been a major part of Stan Getz's very popular Jazz Samba album, it was only fitting that guitarist Charlie Byrd would start recording his own bossa nova records. This CD reissue brings back the 12 songs originally on the Riverside LP Bossa Nova Pelos Passaros plus six of the 11 tunes from Once More! Bossa Nova. Byrd and his trio (which included bassist Keter Betts and drummer Bill Reichenbach) are augmented on some selections by strings, extra percussion, plus horns.
This 1962 date by tenor saxophonist Charlie Rouse celebrates a grander and funkier scale of what Stan Getz and Charlie Byrd did earlier in 1962 with the bossa nova. Unlike Getz, Rouse didn't feel he needed to be a purist about it, and welcomed all sorts of Afro-Caribbean variations into his music. His choice of bandmates reflects that: a three-piece percussion section with drummer Willie Bobo, conguero Carlos "Patato" Valdes, and Garvin Masseaux on chekere (a beaded percussion instrument that is played by being shaken). Add to this bassist Larry Gales, and a pair of guitarists, Kenny Burrell, and Chauncey Westbrook, along with Rouse, and it is an unusual and exotic sextet. Burrell and Masseaux were part of Ike Quebec's band on Soul Samba, but the two recordings couldn't be more different.
This 1962 set by Cal Tjader, recorded at the beginning of the bossa nova craze in the United States (released in the same year and on the same label as the smash Jazz Samba by Stan Getz and Charlie Byrd), has one of the most boring titles imaginable, and it doesn't begin to describe the laid-back yet magical innovations in the grooves. Produced by Creed Taylor, the date was arranged and orchestrated by the great pianist Clare Fischer (who also wrote the liner notes). Tjader set out to offer a very modern portrait of the music pouring out of Mexico City by showcasing selected Mario Ruíz Armengol compositions, and out of Brazil by spotlighting numbers by singers such as Elisete Cardoso and João Gilberto. Tjader's vibes are placed in juxtaposition with Fischer's piano and percussion by Changuito, Milt Holland, and Johnny Rae, with a woodwind section that included both Don Shelton and Paul Horn…