Stan Getz

AVID Jazz continues with its Four Classic album series with a re-mastered 2CD release and Third Set from Stan Getz, complete with original artwork and liner notes.

This double-disc set features all of the studio performances between saxophonist Stan Getz and guitarist Jimmy Raney recorded between October of 1948 and April of 1953. The sheer number of labels the pair recorded for is staggering, from Sittin' in With to Roost, Savoy, Sesco, Clef, Prestige, and others. And while Getz, particularly on the early sides, is still deeply entrenched in his worship of Charlie Parker, the cool elegance of Raney's own playing is already asserting itself on the early sides, so that by 1951, Getz has moved toward the center from strictly bebop. Some of the other players on these sessions include Duke Jordan, Curly Russell, Blossom Dearie, Horace Silver, Roy Haynes, Frank Isola, and many others. There are 41 performances in all, giving a striking portrait of the era, and of Getz's development as a soloist and bandleader in particular…

German two CD compilation packaged in a digipak with 20 page booklet.
One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound" because he had one of the most beautiful tones ever heard. Getz, whose main early influence was Lester Young, grew to be a major influence himself, and to his credit he never stopped evolving…

AVID Jazz continues with its Four Classic Albums series with a re-mastered 2CD fourth set release from Stan Getz, complete with original artwork, liner notes and personnel details.

This 15-cut collection of Stan Getz ballads runs the gamut from his early bossa hits with João and Astrud Gilberto to his ballad performances with Bill Evans, Oscar Peterson, and Jim Hall. These are laid-back, beautifully arranged tracks in superior sound. While it is not a well-rounded collection of Stan Getz material, it is an essential ballads selection.

Stan Getz was invited to perform a concert with a local rhythm section in Warsaw, Poland, in 1960; he was sufficiently impressed with the trio to join them for a brief studio session afterwards. While this five-song set isn't flawless, as Getz has some problems with repeated reed squeaking in the rendition of "Cherokee," the all-standards program is otherwise very enjoyable, with excellent sound. Getz is in total control with the lush take of "Darn That Dream," as he makes a delayed entrance following pianist Andrzej Trzaskowski, who proves himself to be a thoughtful accompanist and soloist. Bassist Roman Dylag and drummer Andrzej Dabrowski also get high marks. This compilation is rounded out with two tracks from a 1974 concert in Warsaw by a working edition of the Stan Getz Quartet, with pianist Albert Dailey, bassist George Mraz, and drummer Billy Hart. The tenor saxophonist again gets a little sloppy with atypical reed squeaks in both tracks, which include an extended, exciting workout of Chick Corea's "La Fiesta" and an old favorite, Jobim's "Desafinado." Getz fans will definitely want to acquire this obscure Polish CD.

Tenor saxophonist Stan Getz's neo-big band album Apasionado has been consigned to minor league status since its original release in 1990. It does, indeed, look unpromising: recorded in fall 1989, when Getz was undergoing treatment for the cancer which would kill him less than two years later; with a pair of synthesizers replicating a string section; and with the commercially astute but MOR focused Herb Alpert producing. But 20 years on and rereleased, Apasionado rises way above expectations. Getz is in soaring form, commanding attention so completely that the ersatz strings, and Alpert's slight arrangements, become irrelevant, barely emerging from the distant background where they belong. Apasionado, despite the received wisdom, is actually a very fine Getz album. The album's structure was modeled, in large part, on Getz's masterpiece Focus (Verve, 1961), on which the saxophonist improvised, with practically no rehearsal and without prewritten melodies, over a suite played by a string orchestra arranged by Eddie Sauter.