Stanford University 2024

Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

Experience the full scope of Beethoven’s musical evolution with this comprehensive collection of his 35 piano sonatas, meticulously organized in chronological order to offer a panoramic view of his artistic journey, tracing Beethoven’s transformative progression as a composer.

Portraits (CD02), by the Emily Carr String Quartet (ECSQ), features works by Tobin Stokes, Jocelyn Morlock, Jared Miller, and Iman Habibi. The album was produced by Karen Wilson and co-produced and engineered by Paul Luchkow. The compositions are inspired by the writing and paintings of Emily Carr, who was herself inspired by the landscape and Indigenous people of the West Coast of Canada. Marion Newman, mezzo-soprano of Kwagiulth and Stó:lō First Nations, joins the Quartet in singing Canoe from Stokes’ Stories from Klee Wyck. Another movement of this work, Friends, references a version of the 1951 publication of Klee Wyck in which sections of the original story (where Carr described a Parson’s attempt to persuade her to help remove children from their home and send them to residential school) were edited out.

A powerful guide to why even the most well-intentioned innovations go haywire, and the surprising ways we can change course to create a more positive future, by two celebrated experts working at the intersection of design, technology, and learning at Stanford University’s acclaimed d.school.

This album, released by The Gustav Holst Society, with Albion Records, is in celebration of the 150th anniversary of Gustav Holst's birth on 21 September 1874. It is based on chamber works written or arranged for violin with either voice or another instrument, by Holst himself and four composers who were contemporary with him - with a focus on neglected works but including a new arrangement of one very popular piece. Distinguished violinist Hannah Roper is joined by Martin Jacoby at the piano, by soprano Emma Tring and by harpist Valeria Clarke.