The release of King Crimson’s seminal 1974 album Red continues the overhaul of the progressive rock band’s catalog that also — so far anyway — includes their debut album In The Court Of The Crimson King and Lizard. As was the case with those two albums, the remastering of this album was overseen by Porcupine Tree’s Steven Wilson, along with founding member Robert Fripp. Wilson was a great choice for this task for a couple of reasons. He’s a longtime fan, and with Porcupine Tree and his other many projects, he also definitely has the necessary prog-rock credentials.
This set compiles what Robert Fripp contends is "a comprehensive overview for new ears of all that is necessary in the Crimson corpus." Going on to acknowledge that "old-generation completists might disagree with some choices, but material not included here is available for new-generation completists, should they wish." Enthusiasts' personal preferences aside, The 21st Century Guide to King Crimson, Vol. 1: 1969-1974 (2004) is the first of two four-disc volumes gathering the entire recorded output of the band in its variety of personnel. Each CD contains highlights from a specific era, either in the studio or live, and the material is presented in chronological order.
This is the long awaited independent critical review of the music of King Crimson when the Wetton/Bruford/ Fripp triumvirate were at the heart of the band. The extraordinary music created by Crimson at this time spanned three great studio albums; Larks Tongues In Aspic, Starless and Bible Black and Red as well as the posthumous live album USA. For many fans this was the ultimate incarnation of King Crimson. Featuring Larks Tongues In Aspic Part 1, Easy Money, Improvisations, Book Of Saturday, Red and Starless. BONUS TRACKS New versions of Starless and Red by John Wetton. Features rare footage of King Crimson in concert.
~ amazon.com
The Massey Hall King Crimson show is one of the most well known and well documented. Live In Toronto is the latest Club silver pressed release which has the complete soundboard recording from that night for the first time. Live In Toronto is truly an important archive release by King Crimson. They’ve mostly been going down the download route, posting their tapes online and not bothering with silver releases. But this one, despite the sub par show, certainly is interesting enough for a Collector’s Club release. This is available from the DGM website for a reasonable price, definitely worth having.
As Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA (1974) is a single-disc concert package documenting the quartet during its most concurrent swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim…
Deluxe three CD + Blu-Ray set presented in two mini-vinyl style gatefold packs with booklet including photos by Tony Levin and new sleeve notes enclosed in an outer slipcase. Mixed by King Crimson member Bill Rieflin from full multi track recordings. Three CDs featuring over three and a half hours of material performed during the band's five nights residency at Teatro Metropolitan, Mexico City in July 2017 + audio extras…
There are some gigs where, to borrow a phrase, “when it all comes together it is as if the angels descend from heaven on their silver clouds and play their golden trumpets”, and there are others where such heavenly ambitions remain elusively out of reach. The band sound tired and irritable on the 12th date of their last tour together.
In King Crimson's extensive catalog of archival recordings and box sets, The Great Deceiver (Live 1973-1974) is the undisputed winner, the item truly worth acquiring. The four-CD set Frame by Frame, released 18 months earlier, was light on material previously unavailable and included a few edits and overdubs on classic King Crimson tracks that shocked the fans. Epitaph, another four-CD collection culled from the group's first live shows in 1969, boasted understandably flawed sound and more repetitive content. But The Great Deceiver has it all. Over four discs, the set chronicles the on-stage activity between October 1973 and June 1974 of the most powerful King Crimson lineup. Robert Fripp, John Wetton, David Cross, and Bill Bruford were mostly performing material from their previous two LPs (Larks Tongues in Aspic and Starless and Bible Black)…