Start Me Up

The Bride, a former professional assassin and pregnant, is shot and left for dead at her wedding, by none other than her former boss Bill. She wakes up from a coma after five years, without her baby, and sets out for revenge. After regaining strength and aquiring deadly weapons, she tracks down Bill's accomplices, at the same time her follow colleagues, and kills them one after another. Among them are O-Ren, who in the mean time became the head of the Yakuza, Vernita Green, who is now a housewife, and Budd, Bill's brother, who lives a shitty life in a trailer home. Not until the very end, does she get to face her nemesis, to take revenge for all that he has done to her, only to find out about a surprising truth. But she will Kill Bill.

The system includes Eight Online Video Training Modules and a detailed Hypnosis Manual that gives you all the scripts, bullet-points and techniques you’ll need to use Jeff’s process on your hypnotic subjects. But let me break it down for you and show you exactly what you get with each individual component: Module 1 gives you an overview of the most important aspects of Jeff's process. In fact, by the end of this module – in roughly an hour – you'll be ready (and more importantly able) to drop someone into hypnosis for the first time.

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

Mirror is Tarkovsky's fourth of seven feature films and proceeds in a non-narrative, stream-of-consciousness form. The director mixes flashbacks, historical footage and original poetry to illustrate the reminiscences of a dying man about his childhood during World War II, adolescence, and a painful divorce in his family. The story interweaves reflections about Russian history and society.
Mirror has relevancy being numerically "central" in Tarkovsky's oeuvre also marking itself as, by the director's own account, 'My most openly autobiographical, daring, and self-revealing film'. Infused with dense, personal references from memory and an inaccessible use of time, space and performances, this is considered the director most artistically bold work being steeped in layered constructions. In examining his entire body of work this tends to be a catalyst of his vision of transcendency.

An ambitious series that bears a striking resemblance to LAIN, BOOGIEPOP PHANTOM is no less fascinating, and certainly, in many ways, takes that series' concept to another level. Taking place in a bizarre alternate universe, Boogiepop is a shady organization that protects the world from supernatural menace that materializes in the form of a young girl clad in a yin-yang cloak. The series begins with the disappearance of some high school students, the discovery of a young man who sees people's regrets as spiders and can eat them, and the appearance of a detective who tries to tie the strands of these mysteries together. Contains the entire series in a collector's box.

LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just focus on nabbing petty criminals, the team does so while still going after LA kingpin Rizzo. Various fist fights, chases, shootouts and other carnage occur as the two cops go after Rizzo's crime syndicate.

One of Ellusionists greatest DVD’s ever made – an awesome DVD that teaches a plethora of tricks and how to do them. Ellusionist should be proud of the work they have done with this DVD.

FUBAR II is the long anticipated sequel to the 2002 cult hit Fubar which CNN called "the quintessential Sundance film." Fubar went on to become a perennial favourite across North America.
The story starts in Calgary where the boys are tired of trying to give'r while barely scraping by, when their old buddy and party leader, Tron (Andrew Sparacino) hooks them up with jobs in Fort McMurray. Before long they are rolling in dough and good times.

While Italian director Emilio Miraglia never rose to the heights of some of his fellow directors like Dario Argento or even Umberto Lenzi, he holds a special place in a many a genre fan's withered heart for a few of the six films he did direct: a crime film entitled Assassination starring the one and only Henry Silva, a Spaghetti Western starring Richard Harrison entitled Shoot, Joe, Shoot! and the two giallos that are in this set from No Shame Films, the infamous The Night Evelyn Came Out Of The Grave and the, until now, elusive The Red Queen Kills Seven Times. Both films prove to be solid thrillers with some great casts, plenty of style, and some cool murder set pieces as well.