"PentaTone have definitely established a winning formula for success with the ten Wagner operas they are currently recording in association with Deutschlandradio Kultur in Berlin. (…) The presentation of this set is excellent. Thankfully, it includes a well translated German/ English libretto (unlike the travesty supplied with the Bychkov version), a thought provoking essay on the opera by Steffen Georgi and full artist biographies. Though my own allegiance to the Bychkov version among recent recordings remains steadfast this Janowski account is unlikely to disappoint. It will surely be welcomed by avid Wagnerites and makes one eager for the next issue in what is proving to be a superlative series." ~sa-cd.net
"PentaTone have definitely established a winning formula for success with the ten Wagner operas they are currently recording in association with Deutschlandradio Kultur in Berlin. (…) The presentation of this set is excellent. Thankfully, it includes a well translated German/ English libretto (unlike the travesty supplied with the Bychkov version), a thought provoking essay on the opera by Steffen Georgi and full artist biographies. Though my own allegiance to the Bychkov version among recent recordings remains steadfast this Janowski account is unlikely to disappoint. It will surely be welcomed by avid Wagnerites and makes one eager for the next issue in what is proving to be a superlative series." ~sa-cd.net
Seine Zeitgenossen nannten ihn den Weimarer Wolf. Tatsächlich prägte Ernst Wilhelm Wolf als Lehrer, Konzertmeister, Organist und schließlich auch als Hofkapellmeister der kunstsinnigen Herzogin Anna Amalia das Musikleben in Weimar. Auch wenn er dem Dichterfürsten Johann Wolfgang von Goethe ein Dorn im Auge war, hielt Wolf dem Hof und seiner Herzogin jahrzehntelang die Treue. Selbst ein Angebot des Preußenkönigs Friedrich des Zweiten, in Berlin Nachfolger von Carl Philipp Emanuel Bach zu werden, lehnte Wolf dankend ab. Dass er aber Bachs empfindsamen Stil, und auch den des Berliner Kapellmeisters Carl Heinrich Graun sehr schätzte, ist in seinen Werken unüberhörbar. Wolfs Instrumentalmusik hat schon in den letzten Jahren wieder mehr Aufmerksamkeit erhalten.
"…Janowski's pacing and preparation of the orchestra is masterly. Reacting with sensitivity to the score, the tender & reflective scenes are given space to breathe without taxing the singers into strained tone. (…) The more one hears, the more one appreciates the vocal acting as well as the superlative orchestral contribution (make no mistake, there are at least 3 world class orchestras resident in Berlin today). This listener (at least) is eagerly awaiting the next installment of the Ring." ~sa-cd.net
"…Janowski's pacing and preparation of the orchestra is masterly. Reacting with sensitivity to the score, the tender & reflective scenes are given space to breathe without taxing the singers into strained tone. (…) The more one hears, the more one appreciates the vocal acting as well as the superlative orchestral contribution (make no mistake, there are at least 3 world class orchestras resident in Berlin today). This listener (at least) is eagerly awaiting the next installment of the Ring." ~sa-cd.net