Steam (2007)

The debut album from Second Hand which was released in 1968 and called Reality is a pretty psychedelic experience. The music is heavily influenced by rock/ blues bands like Jimi Hendrix and Cream but in addition to that sound Ken Elliott´s vintage keyboards are a trademark in Second Hand´s sound. His voice is very strong and humourous. This music seems to be made while having lots of fun and probably under the influence of various drugs.

A selection of live concerts from all over the world, from the early 80s until 2007. It is an interesting time document, highlighting the many stages of development of the Andreas Vollenweider & Friends project over 25 years.
Andreas Vollenweider was one of the few musicians to gain superstar status as a "new age artist" back when the term was first used as a marketing category in the mid-'80s. The Swiss harpist, however, quickly transcended the need for alternative record sales when his albums simultaneously broached Billboard's pop, jazz, and classical charts in 1986.

Young Armenian born pianist Tigran Hamasyan is the next rising star in progressive and modern jazz piano, following paths of the bop innovator Bud Powell, post-Powell contemporary icon Chick Corea, and peer Eldar Djangirov. Brimming with talent so extreme it boils from his fingers, Hamasyan's second release as a leader displays all the power, chops, and verve one could want if you are into visceral, steam-powered jazz. Inspired by his bandmates, the twin Moutin brothers, Hamasyan paints an ethnic palate of music from his homeland mixed with witty fervor and no small sampling of sensitivity within measured parameters.

Elevation, Pharoah Sanders' final album for Impulse!, is a mixed bag. Four of the five cuts were recorded live at the Ash Grove in Los Angeles in September of 1973, and the lone studio track, "Greeting to Saud (Brother McCoy Tyner)," was recorded in the same month at Wally Heider's studio. The live date is fairly cohesive, with beautiful modal piano work from Joe Bonner, Pharoah playing tenor and soprano as well as a myriad of percussion instruments and vocalizing in places, and a percussion and rhythm section that included Michael Carvin on drums, bassist Calvin Hill, and hand drummers John Blue and Lawrence Killian…