Steely Dan Alive in America

When Donald Fagen and Walter Becker re-formed Steely Dan in 1994, they didn't put out a new album. They undertook a tour of sports arenas, their first tour since the days of Countdown to Ecstasy. Since Steely Dan became stars after they retired from performing, many of their dedicated fans never got a chance to see the group in concert. Given those circumstances, maybe the uniformly positive reviews of the tour were predictable. But as Alive in America proves, the shows weren't earth-shaking. Certainly they were fun - there's no denying it's a thrill to hear these songs in a live setting, both for fans and for Becker and Fagen themselves - but essentially they were exercises in nostalgia. Alive in America is enjoyable, but it offers no new insight into Steely Dan as performers, or Becker and Fagen as songwriters.

Aja was cool, relaxed, and controlled; it sounded deceptively easy. Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance. Furthermore, Walter Becker and Donald Fagen's songs are generally labored, only occasionally reaching their past heights, like on the suave "Babylon Sisters," "Time Out of Mind," and "Hey Nineteen." Still, those three songs are barely enough to make the remainder of the album's glossy, meandering fusion worthwhile.

The Royal Scam is the fifth studio album by American rock band Steely Dan, released by ABC Records in 1976; reissues have been released by MCA Records since ABC Records was acquired by MCA in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).

Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band.

It may not be the "ultimate" collection of hits from the 1970's, but this ten disc set does indeed offer 198 of the songs that helped define the decade. Happily, they are all original recordings by the original artists, as they were heard on the radio. True, in a few cases that means the selections are "radio edits" (Rod Stewart's 1971 hit "Maggie May", for example, is missing the 30 second instrumental introduction that was included on the original album, but rarely played over the airwaves), but why quibble? The songs, though not necessarily remastered, all sound great, and the set includes some genuine treasures that have not (yet) been offered on other compilations. Highly recommended!