Three members of that L.A. band were previously in Touch - very good, psych-prog band responsible for classic 20/20 Sound LP (from 1969). Five years later (under Stepson name] they have recorded a great, raucous and high-energy hard blues rock album which was like a cross between MC5, Bloodrock, Free, Mountain and Blue Cheer - with overdriven fuzz guitar, spontaneous and dirty vocals and pounding rhythm section to the fore. lt’s the guitar which makes that LP so special - with raw and totally explosive sound coming straight from the amplifier. Unfortunately, after being released in summer 1974, the record went completely unnoticed and as a result the band split up in early 1975. This CD has been carefully remastered from the original, analogue source and sounds really great!
Sonny Landreth's screaming slide guitar plows right into you and carries you along on its feral journey. This CD opens going for your guts and never quits, though at times its touch is more caressing than careening, as in "Cajun Waltz." This CD got a lot of airplay yet never got tiresome, the true test of good music. A wide variety of slide guitar styles, backed by an extremely tight rhythm section and various other New Orleans musicians adds to the pleasure of the album. This music combines the best of zydeco, New Orleans R&B, Cajun, and rock & roll into one mood-elevating experience. Listen to "Mojo Boogie" next to "C'est Chaud," then go on to "Shootin' for the Moon"; there is no letdown, but there is great variety. A must-buy.
The live and video album Crossroads Guitar Festival 2019 is the fifth release in the series of Eric Clapton's Crossroads Guitar Festivals to support his rehabilitation centre in Antigua, the Crossroads Centre, documenting the 2019 performances from two concerts held on September 20 and September 21, 2019 at the American Airlines Center in Dallas, Texas. The album was released on November 20, 2020 through Warner and Rhino Records.
South of I-10 is the fourth studio album from Sonny Landreth. The album features his first collaboration with Mark Knopfler. Sonny Landreth's screaming slide guitar plows right into you and carries you along on its feral journey. This CD opens going for your guts and never quits, though at times its touch is more caressing than careening, as in "Cajun Waltz." This CD got a lot of airplay yet never got tiresome, the true test of good music. A wide variety of slide guitar styles, backed by an extremely tight rhythm section and various other New Orleans musicians adds to the pleasure of the album. This music combines the best of zydeco, New Orleans R&B, Cajun, and rock & roll into one mood-elevating experience. Listen to "Mojo Boogie" next to "C'est Chaud," then go on to "Shootin' for the Moon"; there is no letdown, but there is great variety. A must-buy.
Eric Clapton, one of the world's outstanding blues/rock guitarists, once again assembled an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Organized at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the therapy facility for alcohol and drug addicts founded by Clapton in 1998. After a six-year hiatus, the festival returned with new energy and outstanding performances, including performances by James Bay, Jeff Beck, Doyle Bramhall II, Gary Clark Jr, Robert Cray, Sheryl Crow, Andy Fairweather Low, Peter Frampton, Vince Gill, Buddy Guy, Sonny Landreth, Lianne La Havas, Los Lobos, John Mayer, Keb' Mo', Bonnie Raitt, Robert Randolph, Tedeschi Trucks Band, Jimmie Vaughan and others…
We can readily imagine with what modest pride the 40-year-old Bach presented his second wife Anna Magdalena with this most delightful of all domestic scrapbooks. Bach himself started it off for her with two of the keyboard Partitas (A minor, BWV827 and E minor, BWV930) which later formed part of the collection published as the composer's Op. 1 in 1731. Thereafter it was up to Anna Magdalena herself to choose and to enter little compositions which made particular appeal. Not all the music by any means is by her husband and there are pieces for example by Couperin, Bohm, Stolzel, Hasse and her stepson Carl Philipp Emanuel as well as several by anonymous composers.