Steve Hackett Till We Have Faces (1984)

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

Till We Have Faces is the eighth solo album by guitarist Steve Hackett. The album is rock, with elements of world music. The majority of the album was recorded in Brazil, while the final mixing was done in London. The name of the album comes from a novel by C.S.Lewis, whose work is a long-time influence on Hackett. As with most of Steve Hackett's records, the sleeve painting was created by his wife at the time, Kim Poor, the Brazilian artist, under the title Silent Sorrow in Empty Boats, after an instrumental piece by Hackett's former group Genesis, on the album The Lamb Lies Down on Broadway.

Deluxe eight disc (six CD + two NTSC/Region 0 DVDs) in artbook pressing. Broken Skies - Outspread Wings is the extensive, detailed sequel to Premonitions (2015) and covers the years 1984 to 2006 in the production history of legendary former Genesis guitarist Steve Hackett. The albums were all remastered in 2018 and often offer various bonus pieces. In addition to the albums Till We Have Faces, Guitar Noir, Darktown, Feedback 86, To Watch the Storms and Wild Orchids, this includes a superb Roger Dean (Yes, Uriah Heep) painting ennobled artbook…