Steve Klein

Alive on Arrival is an album full of earnest tunes about loneliness, self-worth, aspirations, and disappointments. Forbert’s wispy, innocent sounding voice floats gently (and cuts roughly) over his acoustic guitar to homespun ditties with a down-to-earth feel. This album represents Forbert’s music perfectly, and even though his latter albums sound less subtle, it is Alive on Arrival that so aptly personifies him. “Going Down to Laurel” has his voice aching about the dirtiness of the city and the beauty of his true love, and “Steve Forbert’s Midsummer Night’s Toast” is an interesting musical jaunt through the bittersweet world of growing up. Forbert really comes to life on “What Kinda Guy?,” humorously explaining what a simplified, easygoing chap he is. The kick-back aura of Alive on Arrival puts the emphasis on the down and out Forbert while feelings of sentiment and adolescence slowly emerge with each passing song.

Although Jackrabbit Slim was Steve Forbert's best-selling album, containing his only Top 40 hit, "Romeo's Tune," and his only other chart single, "Say Goodbye to Little Jo," it took Nemperor (formerly part of CBS, now part of Sony) 17 years to put it out on CD (on September 3, 1996). It sounds as good as it did before, thanks both to Forbert's excellent songwriting (also included: "January 23-30, 1978," one of his best diary songs) and to John Simon's production. In a newly added note, Forbert says Simon was a late addition, after his producer was stolen by Barbra Streisand.