Steve Wynn Make It Right

The brand-new solo album from The Dream Syndicate’s Steve Wynn, released in tandem with his memoir. Make It Right is a commentary between literal and metaphorical ruminating – a dialogue between memoirist and musician - a vulnerable, more reflective Wynn than previously heard.

The brand-new solo album from The Dream Syndicate’s Steve Wynn, released in tandem with his memoir. Make It Right is a commentary between literal and metaphorical ruminating – a dialogue between memoirist and musician - a vulnerable, more reflective Wynn than previously heard.

Steve Wynn went from the lower reaches of the Los Angeles underground music scene to major critical acclaim practically overnight with the release of the Dream Syndicate's debut album, The Days of Wine and Roses, in 1982. It proved to be the first act in a long and fascinating career in which Wynn matured into one of the canniest songwriters in rock, penning smart, flinty lyrics that told perceptive tales of human behavior both noble and otherwise, married to tough, engaging melodies full of muscular guitar work…

Steve Wynn's first solo album after dissolving the Dream Syndicate, 1990's Kerosene Man, found him exploring new ideas as a songwriter and bandleader, displaying a pop sensibility that would have been out of place in his old band. Wynn's follow-up, 1991's Dazzling Display, followed a similar path, with Joe Chiccarelli whipping up a similarly crisp but muscular production sound and many of the same musicians returning for these sessions, in particular guitarist Robert Mache, keyboardist Jim Lang, drummer Denny Fongheiser, and bassist Fernando Saunders…

Out on his own since the 1989 breakup of highly influential paisley underground act the Dream Syndicate, Steve Wynn spent the 1990s pursuing a solo career. While 1991's Dazzling Display found the singer incorporating both strings and horns into the mix, and 1994's self-produced Fluorescent seemed at times to head for the country, Melting in the Dark is a stylistic regression of sorts…

BLOODLETTING was the album where Concrete Blonde launched into the mainstream, without losing their conscience and true center. Underrated vocalist/bassist Johnette Napolitano's descending chromatic bass line that opens "Bloodletting (The Vampire Song)" is a sinister backdrop to lyrics that pay tribute to the urban legends of New Orleans. The blistering "The Sky Is A Poisonous Garden" keeps the Blonde's punky roots intact while "Caroline" speaks to heart-wrenching emotions…

2013 five CD box set containing a quintet of albums packaged in cardboard mini LP sleeves and housed in a slipcase. Tower of Power has remained a significant Californian funk/soul/R&B horn band since its formation in 1968…

Original Album Series contains the first five albums from the mighty Dayton funk band Slave: Slave (1977), The Hardness of the World (1977), The Concept (1978), Just a Touch of Love (1979), and Stone Jam (1980). Each disc is in a thin cardboard pouch with reproductions of the original front and back sleeve designs. Since the series limits itself to five discs, the band's phenomenal sixth album – Show Time (1981) – couldn't fit, but this is a convenient way to snap up the majority of the output from one of the planet's best funk bands. Not even the two-disc The Definitive Groove Collection covers all the great singles and album cuts featured within this small box.