Steve Davis

Correlations, available now via Smoke Sessions Records, introduces the new band with a set of inspired new tunes and classic compositions from jazz masters who’ve pointed the way for Davis and his cohort to follow, galvanized by tradition but boldly pushing forward. That adventurousness is just one of the connections that binds these six artists together, one of many correlations that give the album and the sextet their name. Produced by Paul Stache and Damon Smith.

Steve Davis is one of the breed of young boppers whom have mastered the idiom. Here, the trombonist leads a group mostly culled from One for All, a conglomeration of extraordinary musicians who perform regularly together in the Big Apple. Veteran pianist Harold Mabern joins them, adding experience and depth. Davis plays a mean 'bone, strongly indebted to Curtis Fuller. Like Fuller, he sticks to the middle range of the horn, boasts a somewhat nasal tone, and plays smoothly at almost any tempo. He is also a good, if cautious, composer. Tenor saxophonist Eric Alexander continues to grow both in stature and skill, and contributes solidly with strong solos. While there is nothing revolutionary or new in the group's playing, there is a strong sense of camaraderie and precision that lifts this performance to a higher level.

Acclaimed sextet One for All makes its much-anticipated return with BIG GEORGE, its first release in seven years and its 17th. The album reunites Eric Alexander, Jim Rotondi, Steve Davis, David Hazeltine, John Webber, and Joe Farnsworth, who are joined on three tracks by a very special guest saxophonist, their mentor and hero, NEA Jazz Master George Coleman.

A tribute album "Spirit of Chick Corea" by allies who continue their musical journey with Chick Corea's spirits. Steve Gadd Under his production, Japan's proud international marimba player Mika Stoltzman has finally completed a masterpiece of the soul spun with musicians related to Chick Corea!

Leaving his conch shells - and more offbeat ideas - home this time, Steve Turre's motive for this release was to honor the fountainhead of bop (and thus, modern jazz) trombone, J.J. Johnson, who had tragically taken his own life in 2001 in the face of a terminal illness. In doing so, Turre loads his front line with nothing but trombones - as many as six, but usually fewer. Besides himself, the other trombonists on the album are Robin Eubanks, Steve Davis, Andre Hayward, Douglas Purviance, and New York Philharmonic principal trombonist Joe Alessi (who also plays good jazz). It's a fairly conservative recording by Turre's standards, with an emphasis mostly on the straight-ahead bop that Johnson championed. Indeed, many of the duo-trombone charts sound like latter-day echoes of the famous K and J.J. (Kai Winding/J.J. Johnson) records of the 1950s and '60s…

This two-CD, 51-song set covers virtually everything the group recorded with Steve Winwood in the lineup from 1964-1967. The gap between the band's best and worst material was considerable; quite a few of their R&B covers are surprisingly routine, and the occasional cuts that don't have Winwood on lead vocals are downright pedestrian…