This review, over the course of the next few years, will become one of seemingly countless reviews of an album that involves British polymath Steven Wilson. Between Porcupine Tree, the prog rock band that remains his most popular, No-Man, which remains his artistically successful group – not to mention Blackfield and Bass Communion – and the incredible number of records he produces and mixes (Opeth’s and Anathema’s newest records being the latest two), Wilson is perhaps the most prolific musician working in music today. All of his musical projects each express an individual aspect of his musical taste; Bass Communion’s dark, static drones are indicative of his love of noise, Blackfield demonstrates his ability to write a well written, catchy pop song, and Porcupine Tree allows Wilson just to rock out.
For prolific British progressive rocker Steven Wilson, the two-CD set Grace for Drowning is his second official solo album, following 2008's Insurgentes. Recording under his own name, Wilson tends to fall somewhere between his popular Porcupine Tree group project and his ambient recordings as Bass Communion. Grace for Drowning's two discs are divided into one called Deform to Form a Star and another called Like Dust I Have Cleared from My Eye, both named after tracks on them. In the relatively sparse lyrics that Wilson sings with a calm, British-accented tenor, he seems melancholy at first, apparently suffering from the aftermath of a romantic breakup…
Steven Wilson is a twice Grammy-nominated producer, writer and performer, best known as founder and front man of British rock band Porcupine Tree. He has also produced and /or mixed albums for artists as diverse as Swedish metal band Opeth, Norwegian chanteuse Anja Garbarek, and progressive rock institutions King Crimson and Jethro Tull. He also co-wrote and sang a track from Pendulum's number one album Immersion. Porcupine Tree’s last album was a top 30 album in both the UK and USA, and the tour climaxed with sold out shows at Royal Albert Hall in London and Radio City Music Hall in New York.
Catalogue / Preserve / Amass is a live album released in 2012 by British musician and record producer Steven Wilson, known for being the founder and frontman of psychedelic/progressive rock band Porcupine Tree. After pre-ordering this a week or so ago, when I got home this evening there it was waiting for me. No doubt I will carry it around with me for days and days, playing little games, like not looking at it for a whole day, and then…looking at it to see if I still liked it…I'm sure I will. The more I look at it, the more I like it…..hang on, haven't I heard that somewhere before?….
As modern progressive rock’s undisputed figurehead and chief workaholic, Steven Wilson has little to prove, and yet his fourth solo album is anything but a cosy reassertion of values. In contrast to his much-lauded Victorian ghost-stories set The Raven that Refused to Sing from 2013, Hand. Cannot. Erase. is an album rooted in sonic and spiritual modernity, largely eschewing early prog tropes in favour of an inventive blend of bleak and brooding industrial soundscapes and rugged, muscular ensemble performances from Wilson’s virtuoso henchmen.
Steven Wilson fans have been primed for The Future Bites since he released To the Bone in 2017. That record, and the preceding 4½ EP, were deliberately "pop" responses to his three-album dalliance with prog – Raven That Refused to Sing, Hand. Cannot. Erase, and Grace for Drowning. In contrast to the above, The Future Bites is a slick exercise in Wilson's oft-articulated love of synth pop and electronic music. It's a loose concept set about the treachery that rampant consumerism foists upon the world, and the danger a technological society imposes on personal identity…
Steven Wilson will release Last Day Of June on December 1. The digital only release is the official soundtrack to the acclaimed PS4/Windows game of the same name.
The deluxe edition of Steven Wilson's Get All You Deserve includes the entire two-hour Mexico City concert on a pair of CDs plus one DVD and one Blu-Ray. Originally issued only on video, the audio component is highly beneficial for fans for a couple of reasons. For starters, the recording quality is nothing short of stunning. Secondly, these 14 tracks are different versions of those found on a live CD sold only on the Grace for Drowning tour. Given how in-the-moment Wilson's performances can be, and the distinctive nature of shifting arrangements, it's a treat to compare differences between versions. The lineup here is comprised of woodwind/multi-instrumentalist Theo Travis, keyboardist Adam Holzman, bass and stick player Nick Beggs, and drummer Marco Minnemann. Guitarist Niko Tsonev, who replaced Catalog's Aziz Ibrahim, has since been replaced by Guthrie Govan.