Sting

The Police never really broke up, they just stopped working together – largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, and raided Wynton Marsalis' band for his new combo – thereby instantly consigning his solo debut, The Dream of the Blue Turtles, to the critical shorthand of Sting's jazz record. Which is partially true (that's probably the best name for the meandering instrumental title track), but that gives the impression that this is really risky music, when he did, after all, rely on musicians who, at that stage, were revivalists just developing their own style, and then had them jam on mock-jazz grooves – or, in the case of Branford Marsalis, layer soprano sax lines on top of pop songs.

Ten Summoner's Tales is the fourth solo studio album by the English rock musician Sting. The title is a combined pun of his family name, Sumner, and a character in Geoffrey Chaucer's The Canterbury Tales, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages released in 1991 after the loss of both his parents in the 1980s. This album contained two US hits; "If I Ever Lose My Faith in You" reached No. 17 on the Billboard Hot 100 and "Fields of Gold" reached #23. Ten Summoner's Tales was shortlisted for the 1993 Mercury Prize. In 1994, it was nominated for six Grammy awards, winning Best Engineered Album, Non-Classical, Best Male Pop Vocal Performance ("If I Ever Lose My Faith in You") and Best Long Form Music Video. It did not win Album of the Year, Record or Song of the Year.

This album consists of five songs from Nothing Like the Sun… re-recorded in Spanish and Portugese. This was a well-done project – the translations are good and Sting manages the Spanish and Portugese pronunciations well. However, unless you are huge fan, or enjoy hearing the songs sung in different languages, this is an album you'll want to pass over.

Sting returns with a new album The Bridge. This is an album that intriguingly stretches backwards, showcasing the many different stages and genres through which Sting has journeyed in an unparalleled career. The Bridge feels like a greatest hits, but one where all the songs are brand new. A record that is at once modern and upbeat but rooted in Sting’s lifelong musical and lyrical passions.

On the day that the second live album of Sting's illustrious solo career (and third if you count the Police's 1995 Live! set) was to be recorded in Tuscany, Italy, the widely respected singer/songwriter/bassist was beset with one of the world's worst horrors of all time. The show was to be recorded and broadcast live on the Web on September 11, 2001, the day of the World Trade Center tragedy. Instead of canceling it altogether, Sting went on with the recording (although the Web broadcast was scrapped except for a single song), resulting in the release of the 15-song All This Time, just two short months later. Featured are a trio of Police-era classics inventively rearranged ("Roxanne," "Don't Stand So Close to Me," and "Every Breath You Take") and renditions of many solo selections: an expansive "If You Love Somebody Set Them Free," "Brand New Day," "If I Ever Lose My Faith in You," and the poignant folk-like ballad "Fields of Gold."

Ten Summoner's Tales is the fourth solo studio album by the English rock musician Sting. The title is a combined pun of his family name, Sumner, and a character in Geoffrey Chaucer's The Canterbury Tales, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages released in 1991 after the loss of both his parents in the 1980s. This album contained two US hits; "If I Ever Lose My Faith in You" reached No. 17 on the Billboard Hot 100 and "Fields of Gold" reached #23. Ten Summoner's Tales was shortlisted for the 1993 Mercury Prize. In 1994, it was nominated for six Grammy awards, winning Best Engineered Album, Non-Classical, Best Male Pop Vocal Performance ("If I Ever Lose My Faith in You") and Best Long Form Music Video. It did not win Album of the Year, Record or Song of the Year.

Comprised of selections originally mixed and mastered in 1978 from the albums by the electronic composer featuring The Police's Sting and Andy Summers.
This is probably the most unlikely thing you'll ever expect from the Police: them playing full-on prog rock complete with Mellotron. OK, so the idea is actually coming from electronic keyboardist/symphony conducter Eberhard Schoener, but he released two albums with Police members in it in 1978, Flashback and Video Magic (the German original, not the compilation featuring tracks from both). Sting and Andy Summers are on both, but Stewart Copeland only appeared on Flashback, while Evert Fraterman filled in Copeland's shoes on Video Magic. Andy Summers had already appeared on several Eberhard Schoener albums as far back as 1975…