Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here…
“Batsumi” Is A South African Gem Made In The Face of Oppression. During the brutal era in South African history known as Apartheid, the minority-white ruling party forcibly moved millions of black South Africans from their homes to segregated areas, stripping them of their citizenship and reassigning them to tribal Bantu status. But even in the face of this outrageous oppression, South African music thrived. Artists like pianist Abdullah Ibrahim (formerly known as Dollar Brand), and multi-instrumentalist Hugh Masekela gained fame both within the country and beyond. But Ibrahim and Masekela were the exceptions, rather than the rule. Because they both lived and toured abroad, it was easier for their music to get attention. For local South African musicians, operating under the threat of state violence, breaking through to European and American audiences was much harder.
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless – it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar – but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings as they learn how to soar to the clouds.
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless – it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar – but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings as they learn how to soar to the clouds.
The Gang's classic Funk #49 plus Take a Look Around; Tend My Garden; Collage; Ashes, the Rain and I; Walk Away; Midnight Man; Mother Says; Rocky Mountain Way; Meadows; Turn to Stone, and more. 18 tracks!