Strange Strings

Guitarist Bill Frisell’s new double LP Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for Frisell’s long-standing trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted by Alexander Hanson; and one with the 11-piece Umbria Jazz Orchestra, under the musical direction of Manuele Morbidini. But as with so much of Frisell’s music over the past four decades, a relatively straightforward concept and a familiar songbook yield quietly stirring revelations. The music showcases a level of comfort and interactivity that far transcends the vast majority of “with strings” projects on the jazz record shelf. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

The Legacy Collection plunders the deepest depths of the Disney sound archive to collect, with unprecedented completeness, the audio histories of 11 classic animated films from each era of the Disney Studios, from Lady and the Tramp and Aristocats to Little Mermaid and the Lion King to Toy Story and Wreck-It Ralph, with one more CD devoted just to Disneyland. Each disc contains the full score of a film from opening to closing credits, unreleased rarities, and bonus material. Then there's the books.

Eternal Blue is the debut full-length album from this Vancouver metal trio based around the core husband-and-wife duo of Courtney LaPlante and Michael Stringer (formerly of Iwrestledabearonce). Following their self-released, eponymous 2017 EP, it is a fully realized work of melodic alternative metal with a somewhat '90s vibe, incorporating shoegaze elements, beautiful vocals, and possibly-paranormal
Eternal Blue is the debut full-length album from this Vancouver metal trio based around the core husband-and-wife duo of Courtney LaPlante and Michael Stringer (formerly of Iwrestledabearonce). Following their self-released, eponymous 2017 EP, it is a fully realized work of melodic alternative metal with a somewhat '90s vibe, incorporating shoegaze elements, beautiful vocals, and possibly-paranormal EVP (electronic voice phenomena) field recordings.

Guitarist Bill Frisell’s new double LP Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for Frisell’s long-standing trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted by Alexander Hanson; and one with the 11-piece Umbria Jazz Orchestra, under the musical direction of Manuele Morbidini. But as with so much of Frisell’s music over the past four decades, a relatively straightforward concept and a familiar songbook yield quietly stirring revelations. The music showcases a level of comfort and interactivity that far transcends the vast majority of “with strings” projects on the jazz record shelf. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

On Beautiful Broken, Heart decide to tread a path well worn by vintage rockers: revisiting their catalog. This is an exercise often fraught with peril. That said, while Ann and Nancy Wilson do stumble, they've learned from predecessors' mistakes. Seven of these ten cuts were previously recorded, but none are considered Heart standard…

Collection includes 3 studio albums and 3 EP by American indie rock band Dead Heart Bloom.

The Best of Everything but the Girl is divided between selections from their early records and remixes of '90s hits such as "Missing." Consequently, the album draws a slightly misleading portrait of their career, yet it still functions as an excellent introduction to the band, since it features many of their best songs, including "Apron Strings."

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.