Streetlife

Piano Man gave Billy Joel his long-desired big hit, but it also somewhat threw him for a loop. He had been driven on Piano Man, determined to deliver an album that established him as both a serious artist and a commercial contender. Having achieved at least one of those goals (critics never gave Joel much credit), he had to release another album quickly if he wanted to keep his profile high, which he did. The problem is, Joel had put all of his best songs on Piano Man, leaving him with a shortage of material. Furthermore, promotional duties ate up his time, leaving him little to write new songs. As a result, Streetlife Serenade, the crucial third album, was a bit of a slump. Stylistically, it was a reiteration of its predecessor's Tumbleweed Connection obsessions, spiked with, of all things, Rockford Files synthesizers and ragtime pulled from The Sting…

Billy Joel - Streetlife Serenade (1974) (Japan Mini LP Edition 2008) [MHCP-461]
EAC rip (secure mode) | FLAC+CUE+LOG -> 233Mb | MP3 @320 -> 87Mb | Artwork
Columbia / Family Productions

STREETLIFE SERENADE may have been a disappointment to Joel's record company, featuring but one single, "The Entertainer," that barely scraped the Top 40, but it's loaded with songs that came to be signature pieces for the piano man. For years, Joel began his concerts with a piped-in version of the instrumental "The Mexican Connection" and closed them by playing the bittersweet ballad "Souvenir." Another instrumental, the fast and infectious "Root Beer Rag," served as a favorite piano showcase throughout Joel's career, while the snide and clever "The Entertainer" began a career-long obsession with the evils of the pop industry.