Stuff Stuff

Stuff was a legendary fusion group that existed briefly in the late 1970s. They were quite popular for a few years, recording four albums for Warner Bros. and having occasional reunions in the 80s. Under the leadership of bassist Gordon Edwards, first-call New York studio musicians got together and mostly played for their own fun.

More Stuff is the title of the second full-length studio release by the group Stuff. It was released in 1977, a year after their debut, on Warner Bros. Records. For the recordings, the group teamed up with Charles Kipps and Van McCoy, who by then had a disco hit with a song called "The Hustle". The band also covers the Stevie Wonder song "As", which appeared on his Songs in the Key of Life disc from the same year. More Stuff, like its predecessor, attained gold status in the U.S.

Stuff Smith, born as Hezekiah Leroy Gordon Smith in 1909 passed away in 1967, one year after this unique recording session. "Violin Summit" featured Stuff Smith, Stephane Grappelli, Svend Asmussen and Jean Luc-Ponty (with pianist Kenny Drew, bassist Niels-Henning Orsted Pedersen, drummer Alex Riel) in concert on September 30, 1966. It was an unique opportunity to have four of the best violin players together in one concert. The music came off quite well, in large part probably because the four violinists were paired in different sets with all four actually featured together on only one take, "It Don't Mean a Thing If It Ain't Got That Swing".

Along with Joe Venuti and Stéphane Grappelli, and Svend Asmussen, Stuff Smith was one of the pre-eminent violinists of the swing era and played an important role in the violin’s transition into the modern jazz era, playing with tenor sax giant Coleman Hawkins, bebop icon Dizzy Gillespie, and avant-gardist Sun Ra. A crack rhythm section including MPS ‘house drummer’ Charly Antolini provide ample support on this 1967 offering.

"Break Stuff" features Vijay Iyer's long-running and widely-acclaimed trio with bassist Stephan Crump and drummer Marcus Gilmore, a band in existence for eleven years now. 'We keep learning from each other and from experiences and try to set challenges for ourselves so that growth is part of the equation.' It's a group whose musical language is informed by more than the jazz piano trio tradition.

Vienna, Rome, Seoul… Iiro Rantala and Ulf Wakenius are musicians who travel the world, always on tour as leaders of their own projects. So it was something of a fluke that this duo was able to come into existence at all. The idea first emerged in October 2015, when Rantala and Wakenius stopped off at the Philharmonie in Berlin. Siggi Loch, curator of the “Jazz at Berlin Philharmonic” concert series, had brought them together on stage for the “Tears for Esbjörn” concert. “We were part of a larger ensemble on that occasion”, Rantala remembers, “but it was clear to both of us straight away that we would want to form a duo.” This has to be seen as a very smart move, given the rarity of the piano-guitar duo in jazz – a fine exception being that of Brad Mehldau with Pat Metheny.

"Break Stuff" features Vijay Iyer's long-running and widely-acclaimed trio with bassist Stephan Crump and drummer Marcus Gilmore, a band in existence for eleven years now. 'We keep learning from each other and from experiences and try to set challenges for ourselves so that growth is part of the equation.' It's a group whose musical language is informed by more than the jazz piano trio tradition.

"Love Stuff" is the debut studio album by American singer and songwriter Elle King. The album was recorded at various studios throughout the United States, and was mixed at Jimi Hendrix's Electric Lady Studios in Greenwich Village. Mastered by Stephen Marcussen at Marcussen Mastering.

"Love Stuff" is the debut studio album by American singer and songwriter Elle King. The album was recorded at various studios throughout the United States, and was mixed at Jimi Hendrix's Electric Lady Studios in Greenwich Village. Mastered by Stephen Marcussen at Marcussen Mastering.

The Iiro Rantala HEL Trio is capable of incredible contrasts, and therein lies its appeal. As a pianist, Rantala can take the breath away both with his lightness of touch and the grace of his melodic lines. But then he can transform himself into other, very different characters: there is one who inspires laughter with his rummaging in the piano, another whose pathos, openness and honesty touch every heart. He has a baroque demeanour, his playing is full of relish, so that it only takes a few notes and he already has the audience on his side.