Pianist Nino Gvetadze has been fascinated by the English composer Cyril Scott since she studied music in Tbilisi, and always had the idea that she would dive deeper into his music when she got the chance. That time is now, because with this new album she has given him a fantastic and unforgettable hommage. Let the Scott revival be a fact starting today!
Leslie De'Ath has taken up the banner for the music of Cyril Scott, which many feel is long overdue for unfurling again, with a series on Dutton of his piano music. It is easy to hear in the pieces on this first volume why Scott was called "The English Debussy." The extremely colorful, translucent harmonies he uses make his music entrancing, sometimes mystical.
Successful close-harmony Belgian-English group that attacked the Belgian and Dutch charts in the seventies. Precursor to the group was the formation "The Bats" from Diest, with in it the brothers René & Robert Vlaeyen. These successful Flemish entrepreneurs (René Vlaeyen is nowadays known as a TV-producer with VTM-shows as de Kotmadam & Gaston+Leo at his conscience). had international plans and placed an ad in Melody Maker in search of vocal talent. Steve Davies (who had been a session-musician in England for a group named "Octopus" in England, and who had later come to Germany and Belgium) and Robert Vlaeyen founded the Belgian "Octopus"…
Lunatic Soul is the solo project of Mariusz Duda, the lead singer and creative force behind the Polish band, Riverside. While far removed from Riverside's Progressive Metal it is not difficult to see comparisons and similarities to the parent band in the music contained on the eponymous debut album - not least of all because of Duda's distinctive clean vocals, the occasional guttural growl and, despite the lack of electric guitars, the pounding acoustic guitar riffs that appear on some of the tracks. However, this is not the lighter, unplugged side of Duda, it is a dark brooding mix of eclectic sounds with ethnic instruments and influences evoking eastern/oriental themes, psychedlic-era Pink Floyd-like rhythms, swirling and ethereal keyboards reminiscent of early Porcupine Tree tied together by songs that are surprisingly accessible and melodic.