After Supertramp split in 1987, fans waited nearly ten years before most members of the best-known lineup reunited for an album (1997's Some Things Never Change) and tour. But while one of the group's two leaders was included in the proceedings (Rick Davies), the other one was not (Roger Hodgson). Regardless, the "new look" Supertramp soldiered on with a stage show that expectedly focused primarily on the classics – as reflected on the 2006 release Live, 1997…
The title of Even in the Quietest Moments… isn't much of an exaggeration – this 1977 album finds Supertramp indulging in some of their quietest moments, spending almost the album in a subdued mood. Actually, the cover photo picture of a snow-covered piano sitting on a mountain gives a good indication of what the album sounds like: it's elegant yet mildly absurd, witty but kind of obscure…
Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion. Cardboard sleeve (mini LP) reissue from SUPERTRAMP featuring the high quality SHM-CD format (compatible with standard CD players) and Cardboard sleeve (mini LP) replica of the original LP artwork. The ten-album SUPERTRAMP SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Supertramp," "Indelibly Stamped," "Crime Of The Century," "Crisis? What Crisis?," "Even In The Quietest Moments," "Breakfast In America," "Paris," "…Famous Last Words…." "Brother Where You Bound," and "Free As A Bird."
Unlike the previous releases, "Retrospectacle" focuses on material from the band's entire career including their poor selling first two albums and the single they released prior to "Crime of the Century". The first disc takes 1 track each from the band's first two albums. We get a rare single the band released prior to "Crime of the Century". "Crime" deservedly gets five tracks while "Crisis? What Crisis?" has four from this fine album. "Even in the Quietest Moment" also features four strong tracks including the hit single "Give a Little Bit". For fans of the band the real highlight here is the release on CD of the band's virtually unheard single "Land Ho"/"Summer Romance". This was the first single recorded by the band's most successful line up and the same one that would record every album from "Crime of the Century" to "Famous Last Words".
The Autobiography of Supertramp is simply the international version of the title released in the United States by A&M as Vol. 9 in the rather confusing Classics series – obviously a forced attempt at label-branding gone awry (or at least nowhere). Over its 14 tracks, the collection glosses over a few fine moments from the falsetto-happy art rockers' early career misfires ("Dreamer," "Bloody Well Right," etc.) and sporadic latter-day hits ("Give a Little Bit," "It's Raining Again," etc.), then bites down on the meat, or rather the breakfast meat, of the group's greatest commercial triumph, 1979's multi-million-selling Breakfast in America ("Goodbye Stranger," "The Logical Song," "Take the Long Way Home," the title track). Released in 1990, The Very Best of Supertramp went a step further, arguably bettering this release by adding or supplanting a song or two, but casual fans are guaranteed to get their money's worth with either one.
Recorded during the following tour after the highly sucessful "Breakfast In America" album in November 1979,it captures their tight live perfomance perfectly. The songs performed here are very faithful to to original songs, but they sound really fresh and renovated. This one is definitely essential for fans especially... This GREAT Supertramp's live album is a double LP record. The sound is excellent, and the instruments are very well balanced. There is a pleasant live atmosphere and bottom low frequency sound, with just the right amount of ambient echo, so that it gives you the impression that you really attend this show! It seems that the electric guitars are slightly more distorted and hard rock than on the studio album. On "School", you don't know if the young girl's shout is from the excited crowd or pre-recorded like on the studio album. The French crowd is favorably responding. The chosen tracks are obviously sure values: "School", "Logical song", "Bloody well right", "From now on", "Hide in your shell", "Dreamer", "Take a long way home" and "Breakfast in America", among others. The famous French spoken words "(Bonsoir Paris et bienvenue a une soiree avec Supertramp! Nous sommes très heureux de jouer a Paris)", just before "The Logical song", are quite friendly! How about the other charming French words about the breakfast taken by the musician before the "Breakfast in America" song begins? "Hiding in your shell" and "Fool's overture" are particularly remarkable. This is a quality live album.
Paris is a live album by progressive rock band Supertramp, released in 1980. The album was recorded on Supertramp's Breakfast in America tour in November 1979 in Paris, France.
Supertramp came into their own on their third album, 1974's Crime of the Century, as their lineup gelled but, more importantly, so did their sound. The group still betrayed a heavy Pink Floyd influence, particularly in its expansive art rock arrangements graced by saxophones, but Supertramp isn't nearly as spooky as Floyd – they're snarky collegiate elitists, an art rock variation on Steely Dan or perhaps a less difficult 10cc, filled with cutting jokes and allusions, best heard on "Bloody Well Right."…
The Very Best of Supertramp 2 is a best of album by the English rock band Supertramp originally released by A&M Records in November 1992. This compilation features 13 tracks from their five "prime" albums Crime of the Century, Crisis? What Crisis?, Even in the Quietest Moments…, Breakfast in America and …Famous Last Words… as well as the title track from their 1987 album Free as a Bird. The cover depicts the starry backdrop and grate from the cover of Crime of the Century, the hand carrying the glass from the cover of Breakfast in America, and the orange umbrella from Crisis? What Crisis?