Surprise And Flexibility

Knightsen Boxgrand Piano focuses on massive, emotionally charged textures that overflow with bombast, with intricate detail and a distinctive character. It's not just another ordinary old piano; this one possesses a wild side that pushes the boundaries of sonic exploration outward a little further than we usually go.

Sonny Landreth’s album Bound By The Blues marks a return to the slide guitarist’s musical roots. It presents a bold, big-sounding collection of recordings that climb to stratospheric heights of jazz informed improvisation, the best of classic rock, and inevitably remain deeply attached to the elemental emotional and compositional structures that are at the blues’ historic core. Bound By The Blues is a powerful tribute to the durability and flexibility of the genre, and to his own creative vision. Sonny name-checks Jimi Hendrix, Muddy Waters and some of Landreth’s other musical heroes along the way. He also pays homage to fellow slide guitarist Johnny Winter, with the instrumental “Firebird Blues.” He recreates some amazing covers “Walkin’ Blues” by Robert Johnson, and “Dust My Broom” by Elmore James. Landreth continues to develop his vision and his musical voice, growing increasingly original and distinctively diverse sounds expanding from blues, zydeco, folk, country and jazz, making bound By The Blues one of his most ambitious albums to date.

HyperSpace is an algorithmic reverb allowing the user to create algorithms made up of various processors. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities. HyperSpace will enrich your tracks with myriads of colours.

Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities. Hyperspace will enrich your tracks with myriads of colours.

We are so familiar with the warm and expressive tone of the clarinet and with its presence among the woodwinds of the orchestra that it may come as a surprise to realize that it is, in fact, one of the youngest members of the classical orchestra. It had, of course, a venerable ancestor in the chalumeau, a much older wind instrument, from which the clarinet borrowed the name of its own low register; but the classical clarinet entered firmly the orchestra ranks only in the eighteenth century, and did not possess a chamber music or solo literature of its own until the last decades of the century.

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