‘The burly Aussie tenor is now even more identified with this ill-fated protagonist than Peter Pears, the first Grimes. And everywhere Skelton has sung the part, whether at English National Opera, the Proms, the Edinburgh festival or now on this international tour of a concert staging mounted by the Bergen Philharmonic, the conductor has been Edward Gardner. Theirs is one of the great musical partnerships, and they continue to find compelling new depths in this tragic masterpiece.’ – Richard Morrison – The Times. This studio recording was made following the acclaimed production at Grieghallen, in Bergen, in 2019 (repeated in Oslo and London and reviewed above). Luxuriant playing from the Bergen Philharmonic and a stellar cast under the assured direction of Edward Gardner make this a recording to treasure.
The Wave Pictures are an english band consisting of David Tattersall (vocals & guitar), Franic Rozycki (bass guitar) and Jonny Helm (drums). Susan Rode The Cyclone is their fourth official album release and their second for Little Teddy Recordings. The Wave Pictures do not tire of playing their contagious cheek on whatever stage allows them to do so, in fact they make the most of the quiet moments between touring to go into the studio and come out with a collection of cheeky and playful songs in which folk and pop come together completely naturally. Still not satisfied with recording the brilliant "Instant Coffee Baby" (2008) and "If You Leave It Alone" (2009), now "Susan Rode The Cyclone" (2010) confirms they are in top form with its stripped-down sound and witty lyrics, the scratching guitars, the overwhelming choruses.
French soprano Patricia Petibon is known for recordings with ambitious, original programs, spaced several years apart. This is one of her most ambitious, and one of her best, even if some might find it a bit outrageous. Petibon approaches the French art song of the late 19th and 20th centuries from the perspective of popular song, suggesting that the boundary is blurry (noncontroversial in itself), and adding a few songs by Léo Ferré, the vastly underrated older contemporary of Jacques Brel. Where things start to get wild is not with the inclusion of popular songs, or even with the heavy emphasis on the music-hall rhythms of songs going back as far as Gabriel Fauré.
Als Spezialagent Charlie Monk einen Observierungsauftrag erhält, findet er dabei scheinbar seine verloren geglaubte Vergangenheit wieder. Denn plötzlich tritt die Hirnforscherin Dr. Susan Flemyng in sein Leben, und er meint in ihr seine erste Liebe, Kathy, zu sehen. Diese Begegnung veranlasst Charlie, den absoluten Gehorsam gegenüber seinen Auftraggebern zu durchbrechen und dabei kommt er einer spektakulären Intrige auf die Spur, in der er selbst das Opfer ist. Mit einem Mal findet er sich als Gefangener in einem Versuchslabor wieder. Sein bisher härtester Kampf beginnt …