Suzi Quatro

Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine.

With Joan Jett witnessing something of a revival thanks to the recent Runaways biopic, the original leather-jumpsuit-wearing rock icon Suzi Quatro returns to prove that nearly 40 years on from her self-titled debut, she can still pack a few punches herself. Co-written with previous collaborator Mike Chapman (Blondie, Mud), In the Spotlight, her first album since 2006's Back to the Drive, shows that unlike many of her counterparts, the contemporary pop scene hasn't completely passed her by.

Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in 1975, the album marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk oriented rock sound. The title track reached No. 31 on the UK singles chart in February 1975. The album's second single, "I Bit off More Than I Could Chew", also reached the charts, peaking at 54 in the UK charts. "Michael" also had limited promotion, being released as a single in some territories, including Australia where the song reached the top 100. The album reached the charts in several territories, reaching the top 50 in Germany, Norway and New Zealand, as well as making an appearance in the US charts, peaking at 146. The album includes a cover of Little Willie John's "Fever". This was the last album to include Alistair Mackenzie as keyboard player, with Mike Deacon replacing him thereafter.

Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine. Other hard rocking highlights include "Glad All Over," a cover of the Dave Clark Five classic that uses a backbeat reminiscent of a squad of rolling tanks on its chorus, and "Lipstick," a kiss-off to a cheating lover that pits power chords against bubblegum-styled handclaps to create a beguiling fusion of pop hooks and rock & roll muscle…

With Joan Jett witnessing something of a revival thanks to the recent Runaways biopic, the original leather-jumpsuit-wearing rock icon Suzi Quatro returns to prove that nearly 40 years on from her self-titled debut, she can still pack a few punches herself. Co-written with previous collaborator Mike Chapman (Blondie, Mud), In the Spotlight, her first album since 2006's Back to the Drive, shows that unlike many of her counterparts, the contemporary pop scene hasn't completely passed her by.

Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine.