One of the most electrified of Grover Washington, Jr.'s albums, this Columbia set features the popular saxophonist (who plays soprano, alto and tenor) joined by oversized rhythm sections and plenty of keyboards on a variety of funky and danceable material.
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Maturity for jazzmen has often been equated with the ability to speak passionately in a ballad setting and in this regard Washington never flags from his responsibilities. Both “Don’t Explain” and “Easy Living” find the saxophonist in peak form. His tone is lush and fervent, but never too sweet or saccharine. By contrast, funkier numbers like “Masterpiece” and “Taurian Matador” feature Washington at his soulful best in a style that has likely influenced scores of “lite jazz” saxophonists over the years but has never sounded quite as convincing in anyone’s hands but this master.( Andrew Hovan - allaboutjazz.com )
Inner City Blues kicks off with its title track, a burning version of the Marvin Gaye tune with Washington lending a heft and depth to it that reveals the sophistication of Gaye's original. From Airto's hand drums and the hi hat whispers of Muhammad to the chunky wah-wah guitar vamp and a funky bassline by Carter, it becomes clear that Washington's methods of deep soul articulation on his horn extend into the heart of this mix. James decorated his charts with subtle organ flourishes and his piano, but this is early jazz-funk at best.